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This is an archive article published on September 29, 2010

Voices in my Head

The viewer or participant in artist Zuleikha Allana Chaudhary’s latest project,On text and Space,is shut off from the world outside.

A site-specific installation at the Khoj residency space evokes Ibsen’s John Gabriel Borkman

The viewer or participant in artist Zuleikha Allana Chaudhary’s latest project,On text and Space,is shut off from the world outside and invited to travel into a realm of snow drifts,frozen bodies and dreary factory workers. The piece,currently mounted at the Khoj residency and workshop at Khirki Extension,is a take-off from her 2009 production,Some Stage Directions for Henrik Ibsen’s John Gabriel Borkman,based on the Norwegian playwright’s penultimate play,John Gabriel Borkman. Allana,37,was invited to create these two installations at the Khoj artists space. “When I did the play,we had an actor perform the monologues. However the different qualities and narrative of the texts used in the production led me to think,what would happen if there was no performer and there was only text and space?” says Allana- Chaudhary,the recipient of the Charles Wallace India Trust award and the Yuva Puraskar from the Sangeet Natak Academy.

Since Allana- Chaudhary has done away with the actor,when one enters the room,lit by an iridescent light box,there’s only Yoko Ono’s text on the wall: “Go on transforming a square canvas in your head until it becomes a circle.” There is a blank canvas on the floor,making room for some imaginative play. Then a recorded voice summons you to the next room,which is lit by partly concealed yellow tube-lights. Here one is surrounded by text on acrylic-sheet walls. The booming baritone holds forth on factories and how they never stop working,“no death stops them not even their own,” it emphasises.

Allana- Chaudhary ,who has been working within the two disciplines of theatre and art,manages to create a surreal experience,but it would be disappointing if it was just that. What she manages in this piece is to create a space for reflection,so it is not just the monologues or the light or the text,but it is all of these and something more— the viewers own subjectivity that is evoked. “Through the installation I hope to map somewhat parallel trajectories that have emerged over time in my work— the movement from actor to space and from personal tragedy to social history,” says Allana- Chaudhary,who has also made site-specific installations for Shakespeare’s Macbeth for the Korea Theatre Directors Association,in Seoul,2008 and Roland Schimmelphennig’s Arabian Nights in 2007.

The exhibition is on till October 1. For details contact: 65655873

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