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This is an archive article published on March 14, 2010

Random dance is not so random

When dancers improvise,do they think about how theyre moving,or does it just come naturally? Thats what Philip Barnard,a psychologist with the British Medical Research Councils Cognition and Brain Sciences Unit in Cambridge....

When dancers improvise,do they think about how theyre moving,or does it just come naturally? Thats what Philip Barnard,a psychologist with the British Medical Research Councils Cognition and Brain Sciences Unit in Cambridge,England,set out to discover when he teamed up with the London-based company Wayne McGregor/Random Dance.

At the Curtis R. Priem Experimental Media and Performing Arts Center EMPAC in New York,Barnard conducted two weeks of workshops with the companys dancers,looking at how they generate movement and exploring what tools might help them create fresher choreography. As part of the creative process for the piece,McGregor assembled a think tank of experts,including Barnard,in the fields of psychology,computer science and engineering.

McGregors typical process of making new work involves giving his dancers task-based instructions such as sketch a shape in your mind and describe that shape with movement,allowing them free rein to create movement and then editing the phrases they produce. In investigating their creative process,Barnard began by stopping the dancers in the midst of their improvisations and having them fill out questionnaires that got them thinking about what they were responding to while making movementan emotional or verbal impulse,aural or visual stimuli,an idea or a mental image.

When you talk to them,most dancers say theyre mostly reacting intuitively,but when we stop them and sample their thoughts,theyre likely to report action-based or verbal-based images, Barnard said. The content is much more complex and intricate than you would think.

Barnards work will figure in the companys next piece,which McGregor will begin in the fall.

 

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