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Amidst wrapping up the post-production work for his feature film Udaan,there was little time for debut director Vikramaditya Motwane to register the enormity of the fact that his film has been selected at the Cannes Film Festival under the Un Certain Regard (A Certain Look) category. It sunk in only when his friend mailed across a photograph of the board outside the festival venue with his name written alongside the likes of Alejandro González Iñárritu,Abbas Kiarostami,Jean-Luc Godard. Wow,this is serious stuff, he grins as he shows the photograph on his iPhone. In fact,the film enjoys the distinction of being the first Indian film in the last 16 years to enter the the competitive section.
It may sound like a dream come true for any debut director but the 33-year-old has had his share of struggles. After assisting Sanjay Leela Bhansali,he worked with Anurag Kashyap and also co-wrote Dev.D with him. Though the idea for Udaan was conceived when he was in his early twenties,it took him several years before he wrote the script. Then another seven years before he could finally get down to making it. It was the usual story of not being able to get a producer. Finally,Anurag decided he would produce it. And now the film is being released by UTV in July, says Motwane,who is flying to Cannes on Monday.
The suggestion to shoot the film in Jamshedpur,however,came from Motwanes friend,filmmaker Imtiaz Ali.I wrote the script with Delhi or one of the satellite towns in mind. But when Imtiaz read the script,he told me that every detail of the surroundings described in the script matches with that of his hometown and he was right.
However,what will be interesting to note is that having worked closely with both Bhansali and Kashyapwho probably make for two ends of a spectrumhow he brings their influences into his work.Sanjay is extremely meticulous and involved in every aspect of filmmakingfrom the structure of the music to the border of the actress sari. From him I learnt the importance of preparing for the film and keeping paperwork ready. Anurag on the other hand is spontaneous and fearless. I have learnt from him that its okay if not everything you think of works, he says,referring to Dev.D as Kashyaps most patient work.
Though Udaan is Kashyaps first film as a producer,he allowed Motwane the space to take all the decisions on the creative front. He would never come for the shoot and refused to see the rushes till the first cut was ready, he points out.
Though being selected by Cannes means a lot to both
Motwane and Kashyap,the director intends to play down the festival tag when the film releases in July. The film is made for regular Indian audiences most of whom may not be aware of most filmmakers who are being featured in Cannes. The festival circuit doesnt matter to them.
In fact,it can backfire because often people presume that festival films are boring and artsy.
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