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This is an archive article published on November 26, 2016

Dear Zindagi is a balm for that broken part inside each of us

Seeking therapy doesn't mean something is wrong with you, and resenting your family doesn't make you bad. As Dear Zindagi shows, it means we all need to open up about our fears to someone who will listen and guide us to a more fulfilling life.

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In our families, there are many things we talk about. Like, why did Amita chachi’s youngest son choose to become a bawarchi, instead of something respectable like his older brothers, who are both software engineers? Why did Ranjeet and Somya’s daughter break off her engagement with the lovely, well-settled chartered accountant, who is from such a good family?

And, did you know that Archana has failed to get through to the Civil Services again? Gossip is the fuel that revs up families at weddings and festivals and makes everyone feel like they are one big unit as they speculate over which cousin has started fertility treatments for that desperately needed child and which uncle lost all his money playing the market.

 

But there are certain things that we never talk about. We never talk about how, each time a family member brings up the question of our singleness or childlessness, they make us feel a little less than what we actually are. We don’t bring up decades-old resentments stemming from decisions that our parents took for their convenience and which hurt us in ways they never even tried to understand, and the feelings of guilt that arise each time we look at our children and remember how impatient we were with them, when all they wanted was some attention.

Very often, we don’t want to admit – even to ourselves – that the family we grew up in isn’t perfect and that they hurt us, every day, in ways they are still to comprehend, let alone acknowledge, and that each time a parent or a sibling or a grandparent rebuked us, ignored us, lied to us or laughed at our fears, they chipped away at our self-esteem. We stew in secret, resentful that our personhood was damaged, and yet, we’re also ashamed of this. We worry that perhaps, it’s something we did. Maybe we weren’t lovable enough or good enough, and that in other, seemingly “perfect” families, such things wouldn’t happen.

Also Read | Before Dear Zindagi, watch Alia Bhatt’s first audition video and you will love her all the more

Gauri Shinde’s Dear Zindagi brings up these deeply personal doubts and worries, that each of us nurses within, beautifully, with the story of Kaira (a superb Alia Bhatt), who is a talented cinematographer, well on the path towards a successful career, and who comes from a stable, loving – and yes, “perfect” seeming – family. She’s earning enough to live alone in an expensive city like Mumbai, she has friends who are supportive of her and a family that lives elsewhere but which clearly cares for her and is, largely, supportive of her independence.

 

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But Kiara is also damaged in ways that she doesn’t fully understand; this keeps her from being able to form a stable romantic relationship, and it makes her snap at her parents with barely concealed impatience. All of this, it turns out, comes from feelings of being abandoned when she was a child and, as her therapist Dr Jehangir Khan (played by a deliciously grizzled Shah Rukh Khan) says, she has allowed her past to blackmail her present which then keeps her beautiful future at bay.

Also Read | After Dear Zindagi release, Alia Bhatt now misses Shah Rukh Khan

In 2007, when Taare Zameen Par released, it opened a lot of eyes to the very real problem of dyslexia. Will Dear Zindagi make people more accepting of the fact that sometimes people need therapy to be able to live their lives with more joy and empathy – both towards other and towards themselves? Perhaps. Never mind that Dr Khan – or Jug, as he is known in the film – talks like a self help book. What matters is that at the heart of this film is the struggle of one girl to come to terms with a wounded past and how she manages to do this with the help of her dimaag ka doctor.

Also Read | Dear Zindagi movie review: Alia Bhatt, Shah Rukh Khan film offers bumper-sticker self-help

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No, she isn’t mad, she doesn’t need to be chained and locked up in a psychiatric ward. All that’s wrong with her is that she has a troubled love life and she can’t sleep at night and, as the movie tells us again and again, it is okay to get help for even these problems. Seeking therapy doesn’t mean something is wrong with you, and resenting your family doesn’t make you a bad person. All it means is that, like Kaira, sometimes we all need to open up about our fears and doubts to someone who will listen to us and help us find or way towards a happier, more fulfilling life.

Pooja Pillai is a Senior Assistant Editor at The Indian Express, working with the National Editorial and Opinion section. Her work frequently explores the intersection of society, culture and technology. Editorial Focus & Expertise Pooja’s writing spans several key domains, often blending analytical commentary with cultural critique. Art & Culture: She writes extensively on cinema, books, and the evolving landscape of arts and entertainment. Technology & Society: Her work examines the human impact of the gig economy, the rise of AI in creative fields, and the cultural shifts driven by digital platforms. Food & Lifestyle: She often uses food as a lens to explore history and politics, covering everything from the origins of pantry essentials to the impact of nutrition policy. Politics: She closely tracks political developments in South and West India and provides commentary on international political transitions, including the shifting landscape of American politics. Multimedia & Podcasting Pooja is a prominent voice in the Indian Express’s digital ecosystem. She is the host of 'DeshKaal with Yogendra Yadav', weekly video podcast where she facilitates deep-dive conversations on Indian democracy, social movements, and current political affairs. Notable Recent Works Cinema & Identity: “SRK@60: Why Shah Rukh Khan is Bollywood's last, and only, superstar” – an analysis of stardom and the changing face of Indian identity Global Politics: Commentary on the Trump administration’s misguided “war on woke culture” via typography and analysis of the visual semiotics of Volodymyr Zelenskyy’s attire during successive visits to the White House. Art & AI: “An unequal music: AI is lowering barriers at the cost of music itself” – a critique of how technology is redefining artistic value. Professional Presence Pooja is active on X (formerly Twitter) and Instagram, where she shares her latest columns and editorial insights. Her full archive and latest updates can be found on her Indian Express Author Profile. ... Read More

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