Bob Biswas review: Every time Abhishek Bachchan gets a killing flare in his eyes, he makes us look. But parts of the plot are predictable and flat.

Akhanda movie review: Watching Akhanda in the theatre feels like an exercise in sensory deprivation. The only difference is, instead of feeling relaxed and calm afterwards, you may feel your senses have been deprived for good.

Marakkar Lion of the Arabian Sea movie review: Priyadarshan tells an age-old story without wearing down the viewers, though after a point, you may feel the movie is reluctant to show its inevitable climax.

The Power of the Dog movie review: Jane Campion's return to cinema is a nuanced exploration of toxic masculinity that skillfully subverts expectations. Considered an Oscar favourite, the film is a rare masterpiece.

Antim The Final Truth movie review: Aayush Sharma looks as if he could get into a character, once he stops playing a type. He may notionally be the lead, and he manages to snaffle a bare-chested scene or two, but make no mistake, the biggest lines are all Salman Khan’s.

House of Gucci movie review: Lady Gaga's Patrizia Reggiani, the woman in fur caps, leopard prints, big nails, golden jewellery, and ever-changing bouffant, consistently prevents Ridley Scott's latest from becoming overboring, overlong and over-serious.

Drushyam 2 movie review: If Drushyam was a thriller, the sequel is a proper family drama as the film only makes you bite your nails in the last 30 minutes.

Satyameva Jayate 2 movie review: John Abraham strides through this thing with his standard mix of fixed-frown-and-swinging-fists. Only once or twice does he do the bare-bodied superhero who can take on all comers with a teeny dimpled nudge-wink.

Maanaadu movie review: Director Venkat Prabhu has several catchy ideas and has engagingly strung them together.

Kaaval movie review: Kaaval is devoid of memorable cinematic moments and follows an outdated style of narration. The script lacks conviction and the characters are half baked.

Lijo Jose Pellissery has done a beautiful job of visually imagining the mysterious maze laid down by screenwriter S. Hareesh. Cinematographer Madhu Neelakandan has explored the picturesque scenery of Churuli from various and vivid angles, giving us a pleasant viewing experience.

Bunty Aur Babli 2 movie review: Director Varun V Sharma doesn’t think Saif Ali Khan-Rani Mukerji are enough to repeat the success of the original, so he keeps falling back on Sharvari and Siddhant.

Dhamaka movie review: Kartik Aaryan film feels like a set. And everyone feels like they are acting out set-pieces in this Netflix thriller.

Kanakam Kaamini Kalaham movie review: This Nivin Pauly starrer is one of those films that will keep you smiling from start to end.

Red Notice movie review: Dwayne Johnson-Gal Gadot-Ryan Reynolds’ film is like an auto rickshaw ride down Delhi roads in peak evening traffic, where the saving grace is the Chatty Cathy of an auto rickshaw driver -- in this film's case, Reynolds.

Last Night in Soho movie review: The film is billed as a horror, but it doesn't scare; striving to be about seedy underbellies, it doesn't disgust; suggesting visions, it fails on insight.

Kurup movie review: Dulquer Salmaan steps into the shoes of criminal Sukumara Kurup whose fugitive status spanning almost 4 decades have turned him into something of an urban legend.

Meenakshi Sundareshwar review: The Abhimanyu Dassani-Sanya Malhotra doesn’t satirize or send up the whole arranged marriage thing. It is what it is, and it is the lived reality of millions of young Indians.

Eternals review: The latest film in MCU packs in genuine diversity, good acting and a warmth that is unusual to find in films such as it, which are more intent on impressing than winning over.

Sooryavanshi movie review: It is only when the trio of Akshay Kumar, Ranveer Singh and Ajay Devgn come together, the Rohit Shetty movie gives us what it promises, three for the price of one.

Annaatthe review: Annaatthe features one of the biggest stars of India, and all it has to offer is a bunch of questionable wisdom on affection and relationships. There is something really wrong with what we consider big movies.

Dream Horse movie review: This Toni Collette starrer is a heartfelt, charming movie thanks largely due to characters and performances.

Jai Bhim movie review: Suriya inhabits the role of a firebrand advocate with ease. It is as if he's not just performing the lines written by the director, but believes in every word and gesture he delivers in this film.