Gulshan Devaiah, basking in the praise for his double role in Mard Ko Dard Nahi Hota, on his journey so far, and why he wants to do mainstream as well as off-beat films.
Priyanka Chhabra looks at the Partition through the stories and memories of a group of elderly women, in her film Pichla Varka.
As part of the initiative, art lovers can look forward to an ensemble of installations, curated through partnerships with leading institutions and eminent artists.
Kaustubh Naik on Avyahat, which won top honours at a state-level theatre competition, playwriting and the importance of ideology.
Zen Cafe in Kala Ghoda serves delectable vegetarian fare in a quaint little space
Director Ashvin Kumar on his film No Fathers in Kashmir, his relationship with the Valley and why the youth of the country need to step up.
Mumbai-based conservation architect Vikas Dilawari on the challenges of defining and sustaining contemporary heritage.
At Hotel Delmaar, comfort and familiarity define the menu as well as the ambience.
Warp and weft is what the Takshila Educational Society’s Yearbook has at its centre this year.
Architect MN Ashish Ganju on imagining a museum of architecture that can house India’s built diversity
For more than six years, Singapore-based Indo-British artist Kavita Issar Batra, during her early morning walks, has been enamoured by everything she has found on the footpath pavements or in parks. Right from the fiery red, yellow and orange leaves of autumn trees, twigs and withered flowers to even the footpath brick that has fallen […]
On choosing London as the backdrop, she says, “I know London very well as a city; it is full of people from different cultures and ethnicities and racism unfortunately persists there, making me want to pick it as a place to shoot.”
The orchestra began with Brahms’ Symphony for Strings No 2 in G Major, one of the most significant pieces by the composer. With clean harmonies, this one had the violins and the violas in conversation with each other.
Director Richie Mehta on making a web series based on the 2012 Delhi gangrape case, and working behind the scenes with Delhi Police.
Delving into Uruguayan engineer and architect Eladio Dieste’s minimalist masonary and 16th century Catalan tile vaults, sP+a used Rhino Vault software to emerge with the funicular form of the library.
Mard Ko Dard Nahi Hota is a time travelling machine, and so we begin the interview by going right back to when it all began.
The exhibition is on at Alliance Francaise de Delhi till March 28.
People hold strong opinions online but won’t change a lifestyle for them.
Kachru recalls how Shah travelled to Tamil Nadu, while at NID, to work with potters and villagers who made terracotta horses for their guardian deity, Ayannar. He had a group of the life-size horses sent to the campus that stand even today.
Mumbai-based Sajid Wajid has painted a mural in vibrant red, blue and yellow, where he celebrates feminity through the work. As does the Aravani Art Project, where 15 trans-women and volunteers painted portraits of women they worked with, and who have shaped their philosophy.
A new music group presents jazz, blues and jive in a style that’s unique to them
A play presents age-old truths on relationships in a tradition-defying way
How art on walls can make people feel a sense of ownership and help transform the locale
Kashmir becomes a painter’s metaphor to depict the war and violence around us.





