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This is an archive article published on January 11, 2022

Waiter, I need a fly in my soup

Are insects the future of food? Entomophagy could be an essential element of global food security in the near future and save the planet

Chapulines, grasshoppers and guacamole snack traditional Mexican cuisine from Oaxaca mexicoA traditional Mexican snack of chapulines grasshoppers and guacamole. (Source: Getty Images)

In February last year, Hollywood star Robert Downey Jr created something of a stir in the nascent edible-insects industry when he made a case for protein derived from mealworm larvae in an interview with The Late Show host, Stephen Colbert. The product the actor presented to Colbert was from a company that he happens to back, but there’s more to this episode than a simple case of an investor getting people to buy a product he has put money into.

Consider this: the climate emergency is expected to affect current forms of agriculture and, indeed, the entire global food system. At present, food production is responsible for nearly a quarter of greenhouse-gas emissions (among other environmental impacts), the bulk of it coming from the production of animal-based foods. In light of this, millions have been poured into the production of plant-based alternatives to animal food, including vegan meat, eggs, dairy and seafood, with some of the largest companies in the world jumping onto the bandwagon. Not a little of this rush is owing to the positive press that the burgeoning plant-protein industry has received — something that the edible-insect industry has been, unsurprisingly, struggling with. But with high-profile backers, like Downey Jr, that just might be changing.

In fact, there is a slow but definite change in attitudes towards entomophagy (the eating of insects) as an essential element of food security in an increasingly precarious world. In November 2021, the European Union approved migratory locust (Locusta migratoria) as a “novel food”, making it the latest in the still-short list of insects — yellow mealworms and house crickets are others — that could be made available for human consumption in that part of the world.

The problem, until now, has been the belief — pervasive in the West, but also in several other parts of the world — that humans aren’t supposed to eat insects. This is evident in the EU’s formulation of mealworms, locusts and crickets as “novel” foods. Because the fact is that these are not “novel” foods — not in Mexico, where the eggs of a certain water bug are as prized as caviar, nor in Zimbabwe where flying termites are a popular source of protein and not in several other parts of the world.

Even in India, a variety of insects have been consumed — not just for their nutritional value, but also for their taste. In Assam, for example, silkworms are loved not only for the luxurious fabric they yield, but also as a food: they are enjoyed fried, roasted or raw with salt and chilli. Another example is the red-ant chutney, relished in the tribal belt of central India. Apart from the communities that have traditionally made insects a part of their diet, there is a small number of others who seem to have got over the revulsion to the very idea of entomophagy. Writer and researcher Tansha Vohra, for example, has been running the Boochi project, a digital exploration of entomophagy and offers recipes — sourced from the Northeast — such as weaver ant chutney, giant hornet with sichuan pepper, tree tomato and pork fat, carpenter worm with bamboo shoot juice and tree tomato and eri silk worm with chilli, garlic and fermented bamboo shoot.

According to the “Entomophagy: A Resource Guide”, an online research resource created by the US Library of Congress, there are an estimated 2 billion people around the world who regularly consume insects. As the total global population is around 7.9 billion, this means nearly a quarter of the world’s population thinks nothing of snacking on locusts or stir-frying moth larvae for a nutritious meal. This number does not include the growing number of gourmands who are curious — even eager — to try edible insects. All of this implies that if the idea of eating insects disgusts you, you’re likely to find yourself in a minority in the not-too-distant future.

Pooja Pillai is a Senior Assistant Editor at The Indian Express, working with the National Editorial and Opinion section. Her work frequently explores the intersection of society, culture and technology. Editorial Focus & Expertise Pooja’s writing spans several key domains, often blending analytical commentary with cultural critique. Art & Culture: She writes extensively on cinema, books, and the evolving landscape of arts and entertainment. Technology & Society: Her work examines the human impact of the gig economy, the rise of AI in creative fields, and the cultural shifts driven by digital platforms. Food & Lifestyle: She often uses food as a lens to explore history and politics, covering everything from the origins of pantry essentials to the impact of nutrition policy. Politics: She closely tracks political developments in South and West India and provides commentary on international political transitions, including the shifting landscape of American politics. Multimedia & Podcasting Pooja is a prominent voice in the Indian Express’s digital ecosystem. She is the host of 'DeshKaal with Yogendra Yadav', weekly video podcast where she facilitates deep-dive conversations on Indian democracy, social movements, and current political affairs. Notable Recent Works Cinema & Identity: “SRK@60: Why Shah Rukh Khan is Bollywood's last, and only, superstar” – an analysis of stardom and the changing face of Indian identity Global Politics: Commentary on the Trump administration’s misguided “war on woke culture” via typography and analysis of the visual semiotics of Volodymyr Zelenskyy’s attire during successive visits to the White House. Art & AI: “An unequal music: AI is lowering barriers at the cost of music itself” – a critique of how technology is redefining artistic value. Professional Presence Pooja is active on X (formerly Twitter) and Instagram, where she shares her latest columns and editorial insights. Her full archive and latest updates can be found on her Indian Express Author Profile. ... Read More

 

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