May 15, 2026 10:22 pm
Nilanjana Ghosh Dastidar, AR Rahman’s bassist, on how she landed Maskara, the breezy melody in Imtiaz Ali’s Main Vaapas Aaunga that is blowing up the internet.
May 15, 2026 5:18 pm
The Lesser Florican and the Bengal Florican are equally third endangered species. Only a fundamental change in attitude and sensitivity to their habitats can save these slow breeders.
May 10, 2026 8:06 am
What matters is we show how we’re individuals before being mothers, while showing up for them.
May 09, 2026 11:52 am
At DAG’s new exhibition in Delhi, Nemai Ghosh’s photographs of Satyajit Ray, frame an intimate portrait of the auteur.
May 09, 2026 10:59 am
Motherhood may not give you awards but it certainly gives you battle scars and memories
May 06, 2026 6:10 pm
India does not lack queer individuals of capability. It lacks their sustained inclusion in power. Until that changes, we remain a society that accommodates difference without fully trusting it.
May 06, 2026 5:01 pm
From elephants to crocodiles, from eagles to spiders, how mothers help their little ones graduate, from under their wings and into the wild
May 14, 2026 3:47 pm
In Indonesia: The Beautiful Archipelago, retired diplomat Aftab Seth interprets Indian interests through the prism of the host country without being didactic
May 03, 2026 12:42 pm
Viraha is not simply missing someone; it is the sacred, searing space between presence and absence.
May 03, 2026 4:55 pm
From powerful royal thrones to the reclining chairs of Kerala, tracing the politics, history and subversion of the seat in India.
July 16, 2022 4:27 pm
Not just Hollywood but many Indian superheroes have been among the audiences' favourites.
July 12, 2022 10:32 am
Saim Sadiq took seven years to make Joyland which is a cis-trans romance in a conservative family drama.
November 07, 2021 3:00 pm
By bringing Sreelekha Mitra centre stage in Once Upon a Time in Calcutta, director Aditya Vikram Sengupta has given the actor, in her more-than-two-decade career, a role of a lifetime.
May 24, 2020 1:35 pm
Satyajit Ray was a quintessential humanist who used the camera with empathy to tell stories. Stories that capture the beauty and severity of life in rural Bengal, decaying feudalism, the struggles and aspirations of the Bengali middle class and its conflict with dogmatic religion. His films told stories in ways that only a humanist of his stature could.

