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This is an archive article published on January 13, 2019

It’s a balancing act to retain the Jewish ethos in a multicultural country like India: Esther David

Esther David’s new book pieces together a picture of the Bene Israel community, with all its idiosyncrasies.

Esther David, Bene Israel This is the only country where Jews have not faced persecution, so Indian Jews refer to India as Motherland and Israel as Fatherland: Esther David. (Photo: Dinesh Shukla)

In her latest book, Bombay Brides (HarperCollins), Jewish author-artist Esther David, 73, strings together 18 stories of love and loss set in a flat in a housing society in Ahmedabad, that is rented out to tenants from the Bene Israel community by a young couple who has moved to Israel. Through these fictional and quirky accounts, David, who won the 2010 Sahitya Akademi Award for The Book of Rachel, describes what it means to be the last members of a diminishing community. Excerpts:

How did the 18 stories of Bombay Brides come together?

When I wrote my first novel, The Walled City (1997), I created some Jewish characters, whom I reintroduced in Book of Esther (2002), loosely based on four generations of a Bene Israel Jewish family. This family lives in Alibag, where Bene Israel Jews — the ‘children of Israel’ — first landed, about 2,000 years ago, after a shipwreck. During the British Raj, the men of this large extended family joined the British services. Most of them were doctors and moved from Alibag to Pune, Mumbai and, then, Ahmedabad. Later, others immigrated to Israel, the US, Canada and elsewhere. The characters from The Walled City, Book of Esther, Book of Rachel and other novels almost became real as I placed them in various situations in Bombay Brides.

The characters came to me as I met Indian Jews and their families in Mumbai, Alibag, Kochi, Kolkata, and other places as I have been travelling for the last eight years to document Indian Jews and their cuisine. I noticed that most Jewish brides settled in Ahmedabad came from Bombay (now Mumbai), like my grandmother, mother and aunts. Thus, my narration moves from Alibag to Ahmedabad and Israel. Bombay Brides is set in the Ahmedabad of today. There are about 140 Jews in Gujarat, who come together at the only place of worship in the state, the Magen Abraham Synagogue in Ahmedabad, during festivals of the Jewish New Year, Hanukkah and the Day of Atonement.

What is your relationship with your characters?

In the 1950s, I lived in a joint family in a haveli in Ahmedabad. Since most of my family have moved to other countries, these characters in my novels have become like my extended family.

How have the Bene Israel Jews adopted Indian ways of life?

At homes or are at the synagogue, for Sabbath or other festivals, women cover their head with a sari-end, a dupatta or a scarf and the men wear a kippa or a prayer shawl. India is the only country in the world where Jews have not faced persecution, so Indian Jews refer to India as Motherland and Israel as Homeland or Fatherland.

Food is a strong presence in your book. What’s the speciality of Bene Israel Jewish cuisine?

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Indian Jews have Indian food but follow a strict Jewish dietary law, which says, ‘Thou shalt not mix the lamb in its mother’s milk’. They do not cook dairy products with meat dishes. But, as kosher meat is not always available, most Indian Jews are vegetarians. As a substitute to dairy products, they use coconut milk. Bene Israel Jewish food has a strong influence of Maharashtrian and Konkani cuisine. Certain traditional recipes are made during specific festivals. For most prayers, they make blackcurrant sherbet, in the absence of kosher wine. A sweet made with wheat extract, coconut milk, sugar and nuts is made to celebrate the Jewish New Year.

A number of your characters keep moving between India and Israel.

During some festivals, Bene Israel Jews return to the synagogues in Mumbai or Ahmedabad. It is a balancing act to be Indian and Jewish and to retain Jewish ethos in a multicultural country like India, as there is no idol worship in Judaism. Our names are Biblical and to integrate fully into Indian life is never easy.

Prophet Elijah appears in each of your stories, in the most unlikely of situations. Was that deliberate?

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Bene Israels love Prophet Elijah, aka Eliahu Hannavi, who, they believe, rose to heaven in his chariot from a site near Haifa in Israel. But before that, he came to India. His chariot touched a rock in Khandala, a small village near Alibag, leaving marks of the wheels and horse hooves on it. It is known as the Rock of Prophet Elijah (Eliahu-Hannavi-cha-Tapa in Marathi), to which Bene Israels make wish-fulfillment vows.

Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism. Expertise & Accolades In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023. Global Industry Leadership Alaka’s expertise is sought after by major international and domestic film bodies: Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes. National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema. Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends. Focus & Vision Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More

 

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