Whew! The New York Times said it was likely to harm Mel Gibson’s career and New Yorker magazine called it ‘‘no more subtle’’ than The Lord of the Rings.
Gibson’s ambitious The Passion of Christ, about the last 12 hours in Jesus Christ’s life, has triggered an angry religious debate. But who says it’s easy making a film on historical personalities and legends? Perhaps that is why no Indian director has yet attempted a movie on Mahatma Gandhi.
We tracked some of Bollywood’s reel escapades and recalled what the critics had to say about them.
PS: Some reviews will have you in splits, while others will inspire you to watch the films all over again.
Bandit Queen
‘‘The film is a classy version of your run-of-the-mill, rape ’n’ retribution theme that our film industry churns out every now and then.’’
(Madhu Kishwar, when Phoolan was still alive)
Asoka
‘‘The first part of Asoka is pure romance, with musical interludes. The second part is boys’ stuff, with massive battles and rivers of blood. The acting is not realistic. The stars are beautiful and the supporting cast ugly.’’
(IO Film UK, a UK-based website)
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• The Rising |
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‘‘A few waterfall sequences later, Asoka and Kaurwaki—whose hair is perennially wet, thanks to those long bath sequences—discover they are in love. While it is unlikely that the king and the princess would keep bursting into songs, at least Mr (Anu) Malik could have ensured they sounded somewhat believable.’’
(rediff.com)
23rd March 1931-Shaheed
(www.idlebrain.com, a film-based website)
‘‘Bhagat Singh never married, nor did he have a girlfriend. The closest he came to matrimony was when his parents tried to matchmake. The film-makers latch on to this slim wedge just to have a girl sing. In 23rd March, it is Aishwarya Rai with a fully choreographed team—a jarring scene.’’
(rediff.com)