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This is an archive article published on May 17, 2024

IF movie review: Air of woe surrounds John Karsinski’s family fantasy

IF movie review:  Having made the two mostly well-received A Quiet Place films, John Krasinski has turned to the busiest place of them all: the human mind.

Rating: 1.5 out of 5
Poster of If Movie (Image_ Instagram_IfMovie)Poster of If Movie (Image_ Instagram_IfMovie)

Having made the two mostly well-received A Quiet Place films, John Krasinski has turned to the busiest place of them all: the human mind. One capable of the most vivid imaginations, which the writer-director wants us to return to. IF, as it is spelled out very, very clearly – which the film does a lot – stands for ‘Imaginary Friends’. The kind one has when growing up, the kind that made you feel all warm and cuddly and safe, till you lost that feeling.

Krasinski has talked about thinking of the story during Covid years, when he saw his own children getting caught up in the fears of the time and losing some of their capacity for wonder. However, it does not need a pandemic for a parent to wish a return to more innocent times for their kids, especially those pre-screen years when children had more friends – real or imaginary. Come to think of it, IF doesn’t have time for friends in the real world even as it wants the child at the heart of it, Bea (Fleming), to re-discover the imaginary one she feels she has outgrown, over the course of a long-winded story.
Bea is not your usual 12-year-old anyway, and one has a sneaky feeling that Krasinski wants you to imagine a time that is not too “now, now” but neither too “past, past”.Bee prances about alone in New York city, till well into the night, with nary a cellphone on her, dressed in sober matronly clothes hard to imagine on a pre-teen. Her curtain-straight hair only adds to the impression of a girl belonging to some other era.

There is a reason for this air of woe that surrounds Bea, though – a set-up that the film captures via a series of flashback videos of a happy, lovely family playing over its titles. Now, her mother is dead from cancer, her father (Krasinski) is grieving and admits that as well, wearing a broken-heart T-shirt no less, and is admitted to hospital for some surgery that the film does not specify. Bea, hence, is on her own apart from an absent-minded grandmother (Shaw), who doesn’t really know what to do around her but be kind.

Once the IFs, shepherded by Cal (Reynolds), start turning up, Bea is suddenly transformed into this inquisitive child who is able to put her dad’s illness behind her for long stretches of day. These are all IFs who are technically retired as the children whom they belonged to have grown up. Bea takes it upon herself to “reunite” them with kids, with the help of Cal.

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It’s a painful process, more for us than Bea – and Reynolds doesn’t look like he is having much fun either. The funny stuff is not funny, the jokes don’t land, there are no real emotional high points and some characters seem to be there for no reason at all. It makes one appreciate Toy Story’s effortless accomplishments even more.

To pass time, you can guess the marquee star mouthing the latest IF on screen, and there is a whole range of them, from Krasinski’s wife Emily Blunt to his Office co-star Steve Carell (as Blue, the cuddliest IF of all), to George Clooney, Bradley Cooper and Matt Damon.

Ironically, the one person around who comes closest to raw, unfiltered emotion is the grandmother. She gets to recall a great date, dance a great dance, burn a few pancakes, and ask that question you always wanted to ask, but didn’t know you could: “Why does ice form on the top of ice cream?”

IF movie cast: Cailey Fleming, John Krasinski, Ryan Reynolds, Fiona Shaw, voices of Steve Carell, George Clooney, Phoebe Waller-Bridge, Awkafina, Emily Blunt, Bradley Cooper, Matt Damon, Blake Lively, Maya Rudolph
IF movie director: John Krasinski
IF movie rating: 1.5 stars

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