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IF movie review: Air of woe surrounds John Karsinski’s family fantasy
IF movie review: Having made the two mostly well-received A Quiet Place films, John Krasinski has turned to the busiest place of them all: the human mind.

Having made the two mostly well-received A Quiet Place films, John Krasinski has turned to the busiest place of them all: the human mind. One capable of the most vivid imaginations, which the writer-director wants us to return to. IF, as it is spelled out very, very clearly – which the film does a lot – stands for ‘Imaginary Friends’. The kind one has when growing up, the kind that made you feel all warm and cuddly and safe, till you lost that feeling.
There is a reason for this air of woe that surrounds Bea, though – a set-up that the film captures via a series of flashback videos of a happy, lovely family playing over its titles. Now, her mother is dead from cancer, her father (Krasinski) is grieving and admits that as well, wearing a broken-heart T-shirt no less, and is admitted to hospital for some surgery that the film does not specify. Bea, hence, is on her own apart from an absent-minded grandmother (Shaw), who doesn’t really know what to do around her but be kind.
Once the IFs, shepherded by Cal (Reynolds), start turning up, Bea is suddenly transformed into this inquisitive child who is able to put her dad’s illness behind her for long stretches of day. These are all IFs who are technically retired as the children whom they belonged to have grown up. Bea takes it upon herself to “reunite” them with kids, with the help of Cal.
It’s a painful process, more for us than Bea – and Reynolds doesn’t look like he is having much fun either. The funny stuff is not funny, the jokes don’t land, there are no real emotional high points and some characters seem to be there for no reason at all. It makes one appreciate Toy Story’s effortless accomplishments even more.
To pass time, you can guess the marquee star mouthing the latest IF on screen, and there is a whole range of them, from Krasinski’s wife Emily Blunt to his Office co-star Steve Carell (as Blue, the cuddliest IF of all), to George Clooney, Bradley Cooper and Matt Damon.
Ironically, the one person around who comes closest to raw, unfiltered emotion is the grandmother. She gets to recall a great date, dance a great dance, burn a few pancakes, and ask that question you always wanted to ask, but didn’t know you could: “Why does ice form on the top of ice cream?”
IF movie director: John Krasinski


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