Premium
This is an archive article published on August 13, 2000

Dhadkan

Director Dharmesh Darshan's latest offering is a little bit of a lot of things. While Dhadkan's basic plot is inspired particularly by suc...

.

Director Dharmesh Darshan8217;s latest offering is a little bit of a lot of things. While Dhadkan8216;s basic plot is inspired particularly by such films as Yash Chopra8217;s Darr and Raj Kanwar8217;s Jeet, you8217;re also likely to find similarities to films like Beta, and even the director8217;s own Raja Hindustani.

Despite spectacular camerawork by W B Rao, chart-busting music easily one of the best albums this year, by Nadeem-Shravan, and an impressive glossy look, Dhadkan simply fails to realise its potential because of a script that seems like it might have been written some forty years ago. Cliches like evil souteli mothers, and good-as-gold betas who want to win over their nasty relatives through pyaar should have gone out of fashion a long time ago, right? Apparently not.

Of the cast, Shilpa Shetty looks resplendent in those pastel-coloured outfits and an all-new seedha-saadha look. She manages a sincere performance that is easily her best so far. Despite the occasional melodramatic over-acting, she is a pleasure to watch. Akshay Kumar plays his part well, and lends able support. Sunil Shetty shines with a performance that is neither over-the-top, nor underplayed. He exudes just the right amount of intensity that his character requires. Mahima Chaudhary, meanwhile, despite only three-and-a-half scenes and one song to her credit, delivers the goods perfectly. Once again she proves she8217;s a natural before the camera.

Unfortunately, despite just about every other department meeting the requirements, the film falls flat on its face because of a cliched storyline and not-so-brilliant direction.

First Mela, now this8230; Dharmesh Darshan, please put a dhakkan on it, will you?

 

Latest Comment
Post Comment
Read Comments
Advertisement
Advertisement
Advertisement
Advertisement