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This is an archive article published on January 20, 2021

Explained: Why Gujarat has given dragon fruit the Sanskrit name ‘Kamalam’

Dragon fruit Kamalam: Gujarat CM Vijay Rupani said calling it dragon fruit "does not sound appropriate" and they have decided to call it "Kamalam" as it has the shape of the lotus flower.

dragon fruit, dragon fruit name , dragon fruit name in gujarat,dragon fruit kamalam, dragon fruit gujarat, dragon fruit name, vijay rupani dragon fruit, dragon fruit news, american dragon fruit, dragon fruit in gujaratDragon fruit is a wild fruit-bearing cactus species native to the Americas where it is called pitahaya. (Express photo)

Gujarat Chief Minister Vijay Rupani has said that the state proposes to rename dragon fruit as ‘Kamalam’. Dragon fruit “does not sound appropriate”, Rupani said; Kamalam was apt because the characteristic fuchsia ‘spikes’ or ‘petals’ of the fruit recall a lotus in bloom.

What is dragon fruit?

Dragon fruit is the fruit of a species of wild cactus indigenous to South and Central America, where it is called pitaya or pitahaya. The fruit’s flesh is usually white or red — although there is a less common yellow pitaya too — and is studded with tiny seeds rather like the kiwifruit.

The world’s largest producer and exporter of dragon fruit is Vietnam, where the plant was brought by the French in the 19th century. The Vietnamese call it thanh long, which translates to “dragon’s eyes”, believed to be the origin of its common English name.

Dragon fruit is also cultivated in — apart from its native Latin America — Thailand, Taiwan, China, Australia, Israel, and Sri Lanka. It was brought to India in the 1990s, and is grown in Karnataka, Kerala, Tamil Nadu, Maharashtra, Gujarat, Odisha, West Bengal, Andhra Pradesh, and Andaman and Nicobar Islands. It grows in all kinds of soil, and does not require much water.

Eating the dragon fruit

To eat directly, halve the fruit and scoop out the flesh with a spoon. Or, cut the ends, pull off the leathery skin, and chop up the egg-shaped white flesh to eat.

Dragon fruit can be made into smoothies or shakes. Despite its spectacular good looks, it has a mild, almost bland flavour, which makes it adaptable for a variety of sweet and savoury dishes from salads and relishes to cakes and tacos.

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In Latin America, pitaya juice is popular. Last year, a Ho Chi Minh City bakery made bread with dragon fruit that couldn’t be sold due to Covid-19 restrictions.

The idea of renaming

In his Mann Ki Baat broadcast on July 26 last year, Prime Minister Narendra Modi had lauded the farmers of Kutch for taking up cultivation of dragon fruit and adopting innovative practices, calling it “the very spirit of self-reliance”.

On August 6, Ram Kumar, additional principal chief conservator of forests (social forestry) in the Gujarat forest department, forwarded to the Indian Council of Agricultural Research (ICAR) a proposal on renaming the fruit Kamalam. This, Kumar wrote, would “boost awareness and expansion”, “and contribute to reducing our import dependence in line with ‘Atmanirbhar Bharat’”.

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Kamalam is also the name of the BJP headquarters in Koba in Gandhinagar, and the kamal — lotus — is the BJP’s election symbol. Rupani, however, said no politics was involved in the renaming. “Gujarat government has decided that dragon fruit is not a suitable word. Across the world it is known as dragon fruit and one thinks of China. So we have given the name Kamalam. It is a fruit like the lotus,” he said.

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Where the proposal stands

ICAR sources said the Gujarat government’s proposal had been forwarded to the Union Ministry of Agriculture and Farmers’ Welfare. “ICAR does not do everything in this respect. ICAR is the recommending body. Whatever nomenclature, release of varieties, production, it is all done by the Department of Agriculture and Cooperation, the other wing, and not the research wing,” Dr A K Singh, ICAR’s deputy director general (agricultural extension), to whom Kumar’s proposal was addressed, said.

ICAR officers said such a proposal would need approval from the Botanical Survey of India and the National Biodiversity Authority under the Union Ministry of Environment, Forest and Climate Change. “Dragon fruit is not a species native to India and any change in its nomenclature in official annals can lead to international litigation. Hence, the opinion of BSI and NBA matters,” an ICAR official said.

Pooja Pillai is a Senior Assistant Editor at The Indian Express, working with the National Editorial and Opinion section. Her work frequently explores the intersection of society, culture and technology. Editorial Focus & Expertise Pooja’s writing spans several key domains, often blending analytical commentary with cultural critique. Art & Culture: She writes extensively on cinema, books, and the evolving landscape of arts and entertainment. Technology & Society: Her work examines the human impact of the gig economy, the rise of AI in creative fields, and the cultural shifts driven by digital platforms. Food & Lifestyle: She often uses food as a lens to explore history and politics, covering everything from the origins of pantry essentials to the impact of nutrition policy. Politics: She closely tracks political developments in South and West India and provides commentary on international political transitions, including the shifting landscape of American politics. Multimedia & Podcasting Pooja is a prominent voice in the Indian Express’s digital ecosystem. She is the host of 'DeshKaal with Yogendra Yadav', weekly video podcast where she facilitates deep-dive conversations on Indian democracy, social movements, and current political affairs. Notable Recent Works Cinema & Identity: “SRK@60: Why Shah Rukh Khan is Bollywood's last, and only, superstar” – an analysis of stardom and the changing face of Indian identity Global Politics: Commentary on the Trump administration’s misguided “war on woke culture” via typography and analysis of the visual semiotics of Volodymyr Zelenskyy’s attire during successive visits to the White House. Art & AI: “An unequal music: AI is lowering barriers at the cost of music itself” – a critique of how technology is redefining artistic value. Professional Presence Pooja is active on X (formerly Twitter) and Instagram, where she shares her latest columns and editorial insights. Her full archive and latest updates can be found on her Indian Express Author Profile. ... Read More

 

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