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This is an archive article published on November 2, 2017

The Hills are Alive

The Dharamshala International Film Festival, which has gained currency for being ‘intimate’ and showcasing the best of indie cinema, is ready to roll out its sixth edition

Diff, film festival, Dharamshala, Dharamshala International Film Festival, Ritu sarin “It is crucial for small towns to have cultural spaces that can bring communities together. We thought the festival would be an important endeavour in that direction,” says Ritu Sarin (right).

THE popularity of the Dharamshala International Film Festival (DIFF) lies in the fact that it isn’t like other regular festivals. The scenic venue, located on the edge of the Himalayas in Dharamshala, promises an ‘intimate’ experience for its visitors over a long weekend — November 2 to 5. Its schedule allows enough room for delegates to watch the movies — which are carefully picked by festival directors Ritu Sarin and Tenzing Sonam — as well as interact with the visiting filmmakers and fellow movie buffs.

The festival is the brainchild of documentary filmmakers Sarin and Sonam, who have made Dharamshala their home for the last two decades. “There was a dearth of cultural activities of any kind in Dharamshala. It is crucial for small towns to have cultural spaces that can bring communities together. We thought the festival would be an important endeavour in that direction,” says Sarin. Described as an “alternative, boutique, independent film festival”, the annual event was first held in 2012. The festival showcases an eclectic mix of the best of independent features, documentaries, shorts and animation films from India and around the world. Over the last six years, it has come to enjoy “a lot of warmth from the locals, film communities and independent filmmakers”. According to Sarin, the festival’s main draw, apart from being intimate, is the fact that it is not competitive.

From the beginning, the festival’s agenda has been to showcase independent cinema. “Our aim is to bring independent cinema to the mountains,” says Sonam. Throughout the year, Sarin and Sonam lookout for interesting movies. “We make the selection after watching a lot of movies. Film programmers send their suggestions to us too,” says Sarin. Since the festival has a small team, it is not equipped to take entries. “It would be hard for us to go through the number of films that might come in,” says Sarin. According to Sonam, they pick the films that resonate with their audience and them. “Thematically, they are human stories which have a message,” he adds.

The upcoming edition will open with Shubhashish Bhutiani’s acclaimed debut Mukti Bhawan and it will be presented by the lead actor Adil Hussain. The other major attractions in the ‘feature section’ are A Death in the Gunj by Konkona Sen Sharma; Amit Masurkar-directed Newton, which is India’s entry for the Academy Award for the Best Foreign Film; Nepal’s Oscar entry White Sun, directed by Deepak Rauniyar; and Lijo Jose Pellissery’s crime drama Angamally Diaries. Rima Das’s Village Rockstars, which is the current favourite in the festival circuit, will bring down the curtains with the delightful account of a girl’s pursuit to own a guitar.

The highlights, this year, also include the Indian premiere of Out of This World — a newly restored version of journalist and writer Lowell Thomas’ account of his travels in Tibet in 1949. This would be presented by filmmaker David Wright, and the screening will be attended by Thomas’s granddaughter Anne Donaghy. The festival will screen two award-winning documentaries — Kirsten Johnson’s Cameraperson and Rahul Jain’s Machines. Other major documentaries on the DIFF schedule are Polish filmmaker Anna Zamecka’s documentary Communion and Pakistani director Arshad Khan’s Abu.

A bunch of international and Indian filmmakers will be travelling to the hill town this weekend. Japanese filmmaker Yoshinori Sato will present his feature Her Mother, while Israeli filmmaker Yaniv Berman will present Land of the Little People and Mano Khalil, a Swiss director of Kurdish-Syrian origin, will be there with The Swallow. Ralang Road’s director Karma Takapa, Ashwathamma’s director Pushpendra Singh, Pellissery and Sen Sharma will also attend the festival.

This year, DIFF will be hosting a children’s programme, curated by the director of the South Asia Children’s Cinema Forum, Monica Wahi, for the third time, as they reach out to more young viewers. The selection includes an animated adaptation of Roald Dahl’s book Revolting Rhymes; Dutch children’s feature The Day My Father Became a Bush, directed by Nicole van Kilsdonk; and Suresh Eriyat’s animated short The Tokri.

Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism. Expertise & Accolades In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023. Global Industry Leadership Alaka’s expertise is sought after by major international and domestic film bodies: Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes. National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema. Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends. Focus & Vision Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More

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