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This is an archive article published on February 3, 2011

And then they were won

The real star of the Paris Couture Week is John Galliano,the chief designer for Christian Dior,the biggest draw at the French capital’s couture and ready-to-wear fashion weeks.

The real star of the Paris Couture Week is John Galliano,the chief designer for Christian Dior,the biggest draw at the French capital’s couture and ready-to-wear fashion weeks. Galliano’s show took place on a rainy afternoon on January 24 at one of the most beautiful and yet least touristy spaces in Paris — the Rodin Museum,with its sumptuous sculptures and landscaped gardens. It appropriately kicked off Paris’ haute couture season.

The homage to the sculptor is serendipitous,as Galliano’s gowns are no less dramatic,like artwork in cloth. His muse was the one-time friend of Mr Dior,an artist and illustrator called René Gruau. Galliano’s volume and movement come from the spontaneity of the elegant illustrative line.

The show began with a loud and collective sigh: the first piece,the most important in a défilé,as it sets the mood for the rest of the collection,is theatrical. Just the way Galliano and his love for costume and the stage intended. It is a red silk,embroidered manteau,with black dégradé tulle. Thirty-one ensembles follow,each one voluptuous as if pinched from a piece of jewel-toned dough. A brown tulle jacket has a bow for a tail. A feather white and beige dégradé coat is highlighted by a grey wool skirt underneath. The shapes are bulbous,an accentuated hip here or an exaggerated shoulder there.

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Galliano’s costume ball is hark-back to the 1950s,with scarlet lips and a royal demeanour. The models walk slowly like gazelles,posing crookedly to show off the architecture of voluminous silk and the shadow-play of the tulle. Ceremonious as it is,the gowns lack the sexiness that is Galliano’s schtick. His reverence for Mr Dior supercedes his own statement.

But Anna Wintour is here,and she seems impressed. So is Anna del Russo,the editor/ blogger/ icon who Helmut Newton described as a “fashion maniac”,giggling and flamboyant,posing for shutterbugs gaily as if every picture is propaganda.

Suzy Menkes of the International Herald Tribune looks irritated,but she would later write,“The show was dazzling in its craftsmanship,as paint appeared to wash over the dresses and iridescent embroideries winked at the audience”. (France’s most popular newspaper,Le Figaro ,gushed about the Dior show the next day,carrying a full-page photo from the show.)

Post the show,friends and air-kissers rush backstage to congratulate the maestro. Pedro Almodovar is hogging the designer all to himself,ignoring his beauteous new actress,Elena Anaya,on his arm. The LVMH group’s president,Bernard Arnault,is seriously smiley even though he’s assaulted by television journalists. Former supermodel Stella Tennant is chatty and polite.

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Galliano,despite full make-up,is shy and retiring. Here is the absolute antipode of the man who bowed felinely on stage just a few minutes before. But this fashion and illusion is king,geddit?


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