Building bridges

“After the 9/11 attacks,everyone was paranoid,especially towards religion. Intolerance was at its peak. The date of the attacks became a symbol of fear,and people drew ridiculous meaning out of it. Amidst the chaos,I decided to find a positive meaning of it all. Upon looking back into history,I discovered this speech,ironically delivered on the same date as the biggest terror attack on the US. It’s one of the first presentations on Hinduism made to a Western audience and hence,a symbol of religious tolerance,” says Kallat.

The installation-curated by Madhuvanti Ghosh,the Marilynn Alsdorf Curator of Indian and Islamic Art at the Art Insititute of Chicago-is not just relevant historically but is also one of the first major presentation of Indian contemporary art in an American museum. It is a colourful display of the speech’s text,which is illuminated by 68,700 bulbs. The text is converted to LED and is displayed on each of the 118 risers of the museum’s Grand Staircase. The text’s colours — red,orange,yellow,blue and green — represent the alert system of the US Department of Homeland Security,and stir up a satire on the security paranoia.

Speeches of historic relevance have been Kallat’s muse since 2003. His previous installation — Public Notice — was based on the Pandit Jawaharlal Nehru’s famous Independence speech and Public Notice 2 revisits Mahatama Gandhi’s Dandi March speech.

Public Notice 3 is also being published as a book by the Yale University Press. Besides Kallat’s work,the publication,edited by Ghose,will include contributions by Homi K Bhabha,James Cuno,Geeta Kapur,Shaheen Merali and Paul Schimmel. “The book is based on our email conversations on topics like religion,terror,the position of an individual within a nation,and the role of artist citizen in the society,” says Kallat who has had regular email exchange with the contributors since August 20.