Premium
This is an archive article published on July 29, 2013

Director’s Special

Award-winning filmmaker Amrit Sagar Chopra on resisting the stereotype that directors,too,are cast in

Listen to this article
Director’s Special
x
00:00
1x 1.5x 1.8x

Nothing irks filmmaker Amrit Sagar Chopra more than being compartmentalised. “I hate it when our industry stereotypes artistes,actors,and even directors. It never happens in the West. Steven Spielberg will never be questioned for choosing subjects ranging from ET to Avatar to War Horse,but here we are,I am,being questioned on why am I taking a supposed detour from my first film,1971,a prisoner of war film to a romcom now,” says Chopra,as he connects online for a quick chat on his upcoming film,his second after the National Award-winning 1971,titled Rabba Main Kya Karoon. The film releases on August 2.

Starring Arshad Warsi,Paresh Rawal,Raj Babbar,Akash Chopra,Tahira Kochhar,Riya Sen,Himani Shivpuri,Tinnu Anand,Sushmita Mukherjee and Shakti Kapoor,the story revolves around two brothers,Warsi and Akash. The latter is getting married lavishly in a typical Indian style in Delhi,and right before the wedding,Warsi and his three uncles (Rawal,Anand and Kapoor) advise him on the key to a happy married life — “in order to live a happy married life,one must cheat on one’s wife”.

“It’s a quirky comedy,revolving around these men,and is similar to There’s Something About Mary,” says Chopra,who was clear that his next film will be a romcom. His second film in almost a decade,Chopra covered the time lapse with extensive television production. “1971 was a hard-hitting film and drained me emotionally. I had to pick something lighter,” he says.

Multi-tasking is not his forte. He is a one-thing-at-a-time man,and hence,the delay in film. But once a project kick-starts,Chopra gets involved in every way. This is where his family background comes into play.

From the illustrious Moti Sagar family,which has given mega hits such as Arzoo (1965),Geet (1970),Lalkaar (1972),Humrahee (1973),Charas (1975),Armaan (1978),Bagawat (1980) and Baadal (1985),Chopra follows the lessons learnt from his grandfather and father.

“I grew up on the sets and knew I would be a director. My father told me to stay away from this industry as the returns are erratic,far and between. So,I took up export business only to return to my roots within months,” says Chopra.

He adds that directing is a profession where one can be multi-dimensional. “There is writing,living with so many characters,getting into details and technicalities,editing,productions — it’s a lot of stress,but I love working under stress,” he says.

Story continues below this ad

His modus operandi is always to get his story and screenplay first. “It has to be water tight,the lines,dialogues,the storyboard. A worked out pre-production is the way to efficiency,” says the director,who is now writing a horror and hopes to work on a thriller and maybe,a biopic.

Stay updated with the latest - Click here to follow us on Instagram

Latest Comment
Post Comment
Read Comments
Advertisement
Loading Taboola...
Advertisement