Is online piracy killing the entertainment industry? Hard to say,when both opinion and statistics are so polarised
Jenna Wortham and Amy Chozick
When Fred Wilson,a prominent New York venture capitalist who has backed Twitter and Zynga,wanted to watch the Knicks game,he got an unpleasant surprise. Time Warner Cable was not showing the game because of a contract dispute. Frustrated,he turned to the Internet for help,streaming the game illegally. Its not that we dont want to pay for our sports entertainment, Wilson wrote. But last night we were turned into pirates,as the entertainment industry likes to call us. That is not how media companies and the entertainment industry see it. From their perspective,tapping into pirate streams and file-sharing sites is no different from shoplifting in the supermarket.
The recent fight over two bills aimed at cracking down on online piracy threw a spotlight on this same disconnect between the Internet industry and the media giants. Despite lobbying by big players like the Motion Picture Association of America,lawmakers abandoned the bills after tech companies and groups,and ordinary Internet users,mounted a frenzy of protests,saying the bills would hurt Internet freedom and innovation.
Now the challenge is for the two sides to find common ground on how to combat the piracy problem though they cant even come to terms on how big a problem it is. The fundamental issue is whether or not the sky is falling and the entertainment industry is being decimated by technology, said James Burger,a lawyer who specialises in intellectual property and entertainment content licensing.
The motion picture association said that $58 billion is lost to the US economy annually due to content theft,including more than 373,000 lost American jobs,$16 billion in lost employees earnings,plus $3 billion in badly needed federal,state and local governments tax revenue. A spokesman for the association,Howard Gantman,said the $58 billion figure came from an economic model that estimated piracys impact on a range of tangentially related industries florists,restaurants,trucking companies and so on.
Many outside the industry are sceptical of its analysis. The movie business is fond of throwing out numbers about how many millions of dollars are at risk and how many thousands of jobs are lost, said Art Brodsky,who works for Public Knowledge,a digital rights group. We dont think it correlates to the state of the industry. Brodskys group pulled together a coalition of more than 70 tech companies and advocacy groups,including Amnesty International,Consumers Union,Reddit and the Electronic Frontier Foundation,that sent a letter to Congress calling for lawmakers to rethink their approach. It urges Congress to quantify the extent of piracy and its economic effects from accurate and unbiased sources,and weigh them against the economic and social costs of new copyright legislation.
Some in the Internet world,including Tim OReilly,a noted investor and chief executive of the tech-books publisher OReilly Media,question whether illegitimate downloading and sharing is such a bad thing. In fact,some say that it could even be a boon to artists and other creators. The losses due to piracy are far outweighed by the benefits of the free flow of information,which makes the world richer,and develops new markets for legitimate content, he wrote in a blog post.
That free flow of information,media companies worry,is making consumers accustomed to getting something for nothing. Viacom is currently appealing a copyright infringement case against YouTube. In 2010 a federal judge ruled in favour of YouTubes owner,Google,which Viacom accused of seeking to profit from thousands of clips from shows like The Daily Show With Jon Stewart,posted by users. Google says it has developed ways to address the piracy problem on its own sites,pointing to Content ID,a system put in place after the Viacom suit was filed that helps copyright holders find material they own on YouTube and remove it or leave it up and share in the ad revenue.
Of course,as consumers embrace online video and music in both legal and illegal forms,media companies have also been learning new tricks. Warner Brothers,for example,now offers a digital locker,part of an industrywide push to let customers who buy a DVD or Blu-ray disc obtain access to the movie on many different devices. Were trying to create a compelling option for consumers,but at the end of the day,unlike the pirates,were charging them, said Kevin Tsujihara,the president of home entertainment for Warner Brothers.
Media companies are also making more content available online.Today,Comedy Central makes every episode of South Park,The Daily Show and The Colbert Report available free online. The efforts,Flannigan said,put a big dent in piracy. Still,Comedy Central shows do not make billions in syndication or in DVD sales like some TV series. Shows like CBSs The Big Bang Theory,which sold for $2 million an episode to Time Warners TBS and Fox,are not as easy to stream legitimately. That makes piracy a tempting option. If they dont make content available where consumers are,theyre just shooting themselves in the foot, said Ron Conway,a Silicon Valley investor.