Few bands have more loyal followings than Korn, and few bands have tested the strength of that loyalty more than Korn.
The song, rendered by Nikhil D’Souza and Rachel Varghese, is forgotten as easily as it appears.
Djent, an onomatopoeia for the distorted low-pitch sound produced by the guitar, has been adopted by bands and acts from across the spectrum, such as Animals for Leaders and TesseracT.
Playing You Want it Darker, an hour after Cohen’s death, is like walking alongside the musician’s hearse.
Farhan launches himself into Jaago — a flaccid take on a decent track.
While revealing India’s talents, sights, recipes and casual bizarreness, smartphone cameras also draw attention to the flourishing gamut of gratuitous violence in the land of ahimsa
The end of the album got me thinking what its makers were on — they’ve got the drug-soaked sound and the intoxication to a tee.
In 4 ½, a mini-album with six tracks, clocking in at a short but powerful 37 minutes, Wilson doesn’t so much make music as he creates six individual soundscapes, each with its own contours.
Australian pop songwriter and singer Sia Furler’s biggest sore point in her latest album, This is Acting, is that it is not entirely her own.
The two pretty much find their groove in Baras, the first piece on the album that leads us into the rich and expansive universe of this album.
Sound and Color, Alabama Shakes, ATO Records, $ 8.99 (On Amazon)
Foo Fighters has been in the news for all 2015, for all the right reasons. The last thing the band did was to drop an EP in November, available as a free download for the victims of Paris attacks.
EoDM’s fourth studio album, Zipper Down, continues the band’s descent into the garage sound, eschewing accepted norms and churning out their own brand of sound, tongue firmly in cheek.
The album begins melodically with Dead Inside, a curiously uplifting tune for a morbid title, comes with plenty of zithering on the synthesiser and emphatic, nay, bombastic drumming.
International Yoga Day seems to have been something of a success: bureaucrats, clerks did not collapse in a heap of safari suits as anticipated.
From Marilyn Manson's latest to the trippy Mad Max OST, here's a look at the hottest music on charts this week.
British nu-folk outfit Mumford and Sons began their career in 2007.
Setting out with a mission of reviving the grand old traditions of classic and glam rock, Delhi-based The Doppler Effect, has done just that in the last four and a half years of its existence.
Every song is half-cooked and seems to have been created in a tearing hurry.
Are they pop? Are they alt-rock? Or are they a new hybrid of house-rock?
DBB’s first stroke of novelty is juxtaposing an explosive indie soundtrack with the ’40s Calcutta.
The title track in Kailash Kher and Jyoti Nooran’s voices is a riot and not in a good way.
The album falters in terms of lyrics. However, this is Sachin-Jigar’s most succinct work.
It is a tribute to Gray, whose death haunts them.
Yet here is This Is All Yours: weird, complex, goofy, sublime, baffling and completely unlike anything else out so far this year.






