Wolverine isn’t wearing a costume any more — neither yellow spandex nor black lycra — or even going by his wild alter-ego. He has aged, as has his mentor, and they are dealing with the existential dread (amid gratuitous violence) that comes with that. Logan, the latest film in the X-men series is, unsurprisingly, meant for adults, according to nearly every film certification agency in the world. As millennials are growing up, so are the characters of the fantasies and stories they have been fed on for over 15 years. And for those worried that the big-budget superhero movie was killing mature themes in Hollywood’s mainstream offerings, there is still hope.
The trend established by X-men (2000), Spider-Man (2002) — of big-budget films, with cliché plots, relying solely on the most vanilla iterations of the comic books that are their source material — has been challenged for some time now. These “family movies” have become more violent, explicit and even political. Deadpool (2016), one of the highest grossing Marvel films, was a dark comedy that had everything from sex and swearing to decapitation. Christopher Nolan’s Dark Knight series brought an apocalyptic, anarchist edge to Batman that had not been seen outside the comic books and graphic novels.
