Opinion Lonely in your 40s and 50s? Both science and literature have answers

A new study by AARP, a non-profit support group for older Americans, shows rising loneliness among middle-aged adults. Literature has reached similar conclusions long before data did: irrespective of geography, solitude and existential unease hit hardest mid-life.

When middle age walks a lonely roadAt the heart of these findings are deeper truths.

By: Editorial

December 5, 2025 07:38 AM IST First published on: Dec 5, 2025 at 07:11 AM IST

In ‘Evidence’, the English poet Wendy Cope offers a light-footed reply to a science researcher who claimed that, “a great deal of anecdotal evidence suggests that we respond positively to birdsong”: “Centuries of English verse/ Suggest the selfsame thing:/ A negative response is rare/ When birds are heard to sing./ What’s the use of poetry?/ You ask. Well, here’s a start:/ It’s anecdotal evidence/ About the human heart.” The 2012 poem could, one may argue, hold true for a new study by AARP, a non-profit support group for older Americans, that shows rising loneliness among middle-aged adults, particularly those in their 40s and 50s. Literature had reached similar conclusions long before data did: Irrespective of geography, solitude and existential unease hit hardest mid-life.

At the heart of these findings are deeper truths. Loneliness is not merely circumstantial but structural, shaped by intensifying care burdens, shrinking friend circles, stalled careers and the dissonance of feeling unseen even in a crowd. The Longitudinal Ageing Study in India (LASI) showed that about one in four people aged 45 and over experience moderate to severe loneliness. In 2023, the WHO declared loneliness a global public health concern. Middle age, that supposed plateau of stability, often reveals itself as a fragile corridor between aspiration and acceptance.

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Literature, for its part, has never been coy about its quiet devastations. It is there in Virginia Woolf’s Mrs Dalloway, where Clarissa measures the distance between who she is and who she might have been; in Perumal Murugan’s One Part Woman, where societal pressure exposes the emotional fault lines in a marriage. It reinforces what surveys can only outline: That middle age is a reckoning, a long look in a dim mirror and a dawning realisation. As T S Eliot put it, “I have seen the moment of my greatness flicker,…/And in short, I was afraid.”

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