
Bole Chudian, Rang Rang, Jind Mahi Ve8212;wedding songs are really working well. Even abroad, these numbers will maintain a stronghold. In fact, they8217;re here to stay.
Item songs will be a permanent fixture; demand for these solitary tracks with a cameo by a sizzling actress has just shot up this year.
More compilation albums a la Boom could line the shelves. These albums really work for films that want to cross over, but I don8217;t know how far the the trend of separate soundtrack albums and films without songs will work.
Film-makers here are still unclear about the kind of music they want. There are only five directors who actually write scripts with music in mind8212;Karan Johar, Aditya Chopra, Yash Chopra, Sanjay Leela Bhansali and Sooraj Barjatya.
New playback singers will find more avenues because this is a cost-effective situation for the music director and producer. And new voices have always been successful in the past. Babuji and Allah Ke Bande are two fine examples.
As for Indipop, it8217;s just not happening. It8217;s been a really bad year for music sales. No records are selling. And there8217;s no point blaming radio and TV or MP3 piracy, because piracy has come down by seven to eight per cent.
Nobody likes to own an original Indian album. I definitely foresee the sales picking up if the packaging improves. An international album is an experience in itself. The inlay, the line notes and the fact that most of them even contain lyrics makes you want to grab it off the racks.
Also, there8217;s nothing wrong with remixes and this will continue until the label is willing to take the risk and invest in new, promising, talent. It also helps if the videos of new artistes don8217;t stop playing on music channels after two to three weeks. The artiste8217;s recall value only increases with more exposure.
Sandeep Chowta has scored the music for films such as Company and Satya