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This is an archive article published on February 27, 1998

1957: Year that was

The Governments of India and Pakistan conclude a Film Trade Agreement on January 22, under which Pakistan allows 10 Bengali films and seven...

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  • The Governments of India and Pakistan conclude a Film Trade Agreement on January 22, under which Pakistan allows 10 Bengali films and seven Hindi/Urdu films from India on an outright sale basis.
  • The import duty on exposed film is increased by 100 per cent. And the duty on cine equipment is hiked from five per cent to 10 per cent.
  • A control on raw film is imposed on June 7, under the Essential Commodities Act. Anybody holding stock in excess of 5,000 ft is required to declare the information to the Joint Controller of Import and Export.
  • Central and Regional Advisory Committees are formed by the government.
  • These include representatives from the Film Federation of India and other producer8217;s organisations. They are set up to advise the government on the distribution of raw film.

  • Raj Kapoor8217;s Jagte Raho receives the Grand Prix awards at the 10th International Film Festival, Karlovy Vary, Czechoslovakia.
  • Jaldeep, a children8217;s film, is awarded the first prize at the 9thInternational Exhibition of Films for Children, Venice.
  • Pardesi, the first Indo-Soviet co-production directed by Khwaja Ahmed Abbas and Vassily M Pronin, is made. The Russian version is also made but it is shorter 8212; only 76 minutes.
  • Nimmi marries Ali Raza.
  • q Film-maker Amiya Chakravarty, comedian Gope, and actress Roopa Burman die. Burman is found dead in a Frontier Mail coach, near Delhi.Hit films of the year:
  • Mother India Dir: Mehboob Khan
  • This film, which has now acquired the status of an epic, is the tale of Radha Nargis who leads a happy life with her husband Raj Kumar and three sons in a village. The family has to work extremely hard to pay off an avaricious landlord, Sukhilal Kanhaiyalal. Radha8217;s husband has an accident and he loses both his arms. Later he dies, leaving her to raise the children. She also has to deal with financial and sexual pressure from Sukhilal. Her youngest son dies in a flood and the family is left homeless after all their possessions arewiped out. Her other son Birju Sunil Dutt grows up to become a rebellious and violent young man while Ramu Rajendra Kumar remains dutiful and devoted.

    In the end, a long suffering Mother India puts an end to her rebellious son8217;s activities by killing him, fertilising the soil with his blood. The film is a remake of Mehboob8217;s own film Aurat 1940.

  • Pyaasa Dir: Guru Dutt
  • Guru Dutt8217;s classic melodrama was the first in a series of films addressing the state of the nation. Vijay Guru Dutt is an unsuccessful poet whose work is sold by his brothers as waste paper. Unable to bear the rejection of his talent, he elects to live on the streets. A young prostitute, Gulab Waheeda Rehman falls in love with him and his poetry, while his former girlfriend Meena Mala Sinha marries an arrogant publisher, Mr Ghosh Rehman, for comfort and security. When a dead beggar to whom Vijay gives his coat is mistaken for Vijay, Gulab has his poetry published in a book which becomes a best seller. Everyone whopreviously rejected Vijay now gathers to pay tribute to the dead poet. Vijay disrupts the celebration with a passionate song denouncing hypocrisy and calling for violent destruction of a corrupt world 8212; Jalaa do ise phoonk daalo yeh duniya8217;.

  • Naya Daur Dir: B R Chopra
  • A melodrama about the perils of progress: Villain Kundan Jeevan introduces an electric saw mill and cars into an isolated, sylvan village. And the economic, caste and religious divisions between the rural folk are woven into the main story of the rivalry between Shankar Dilip Kumar and Krishna Ajit over the heroine Rajani Vyjayanthimala. The dramatic high point sees everyone joining forces to build a road to prove that traditional technology is just as good as new machinery. Ironically, the nationalist modernisation argument is advanced by the villain while the benevolent father figure Seth Maganlal Nasir Hussain hopes that a humanist attitude will abolish all class divisions. The hero Shankar argues for collectivisation asthe proletarian way of managing new technology. The film has O P Nayyar8217;s classic compositions, Reshmi salwar kurta jaali ka8217;, Saathi haath badhana8217; Main Bambai ka babu8217;

  • Aasha Dir: M V Raman.
  • Partly made in colour, this love story and crime drama is a comic variation of the Hamlet theme. The story revolve around an old landowner. Hasmukhlal Om Prakash his son Kishore Kishore Kumar who is accused of murder, and the villain Raj Pran who is Kishore8217;s cousin. The love object is Nirmala Vyjayanthimala, the niece of a millionaire coveted by Raj. Kishore, masquerading as an Arab, launches a theatre company and resolves the conflict by performing a play in front of the real life character to whom the fiction is addressed. The song Eena Meena Deeka8217; sung by Kishore Kumar and Asha Bhosle in two different versions becomes very popular.

  • Do Aankhen Barah Haath Dir: V Shantaram
  • This is a stylised parable about human virtue. An idealistic cop Adinath V Shantaram, believing people to befundamentally good, takes six simple-minded murderers to a desolate area to set up a farming commune. In spite of the threat of violence, they run a good farm and come into conflict with the virtuous citizens of a nearby village who see their economic interests threatened. They reveal themselves to be the real villains. Sandhya plays Champa, a seller of children8217;s toys who befriends the prisoners 8212; the only woman in an oppressively male world.

     

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