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This is an archive article published on February 10, 2019

Heckled during speech at National Gallery of Modern Art, Amol Palekar raises concern over censorship

In his speech, Amol Palekar expressed his concern over policy changes that will give the Ministry of Culture at the Centre the sole right to decide the contents and themes of exhibitions to be held at the National Gallery of Modern Art in Mumbai and Bengaluru.

Amol Palekar, free speech, censorship, National Gallery of Modern Art, India news, Indian express news The actor was delivering an address at the opening of ‘Inside the Empty Box’, a retrospective on the artist Prabhakar Barwe. (Express Archives)

Mumbai’s art world became embroiled in a free speech crisis as actor and filmmaker Amol Palekar raised concerns over “censorship” at the repeated interruptions of his speech at the opening of an exhibition at the National Gallery of Modern Art (NGMA) in Mumbai. The actor was addressing ‘Inside the Empty Box’, a retrospective on the artist Prabhakar Barwe.

In his speech, Palekar expressed his concern over policy changes that will give the Ministry of Culture at the Centre the sole right to decide the contents and themes of exhibitions to be held at the NGMA in Mumbai and Bengaluru. Until October last year, these decisions involved the local artistes’ advisory committees, which were reconstituted every three years.

He said, “This control over the NGMA, which is the sacrosanct venue for artistic expression and viewing of diverse art, is the recent most casualty in this ‘war against humanities’ as someone recently put it! I am truly disturbed….What is more upsetting is that those privy to such unilateral orders did not speak out, protest or even question it.”

Over the course of this speech, he was interrupted multiple times. First, artist and former chairman of the advisory committee in Mumbai, Suhas Bahulkar, asked him to stick to speaking about Barwe and his work.

When interrupted by show curator Jesal Thacker, Palekar said he was reminded of how writer Nayantara Sahgal’s invitation to attend a Marathi literary event was withdrawn because her speech was critical of the current political environment.

Palekar was finally unable to deliver the full speech he had prepared and concluded it early.

When contacted by The Indian Express, Thacker said, “As much as I admire both Barwe and Amol, my intention was not to prevent Amol from finishing his speech, but instead only requested him to share more about his anecdotes and fond memories of the artist, who was being celebrated 24 years after his demise. Prabhakar Barwe, himself was an idealist painter whose practice was subliminal and my effort all these years has been only to research and represent the purity of the artist. It was Barwe’s conscious effort that I as a curator and organiser tried to retain and respect. Views that are not directly related to the subject of the evening — the art and life of Barwe — can always be expressed at another more suitable time and space, directly addressing the issues raised.”

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Speaking to The Indian Express, Palekar expressed his surprise at the interruptions to his speech. “I was in a dilemma before, about whether I should speak up about the issues I raised, but I realised that I could not remain silent. So many artists were aware of these changes in policy and there were murmurs all around, and I couldn’t stay silent on the occasion, particularly because this exhibition is the last one to be decided by the advisory committee,” he said.

Several personalities from the film industry expressed their solidarity with Palekar. Alankrita Shrivastava, writer and director of Lipstick Under My Burkha, wrote, “Thankyou #AmolPalekar for your courage. There cannot be space for censorship in a true democracy.”

Filmmaker Onir tweeted, “#Shame Why is becoming any kind of criticism un acceptable. we should be open enough for dialogue… cant do this !!! #AmolPalekar.”

TV actor and host Mini Mathur shared, “Unbelievable. When we hamd over our “culture” to a ministry .. this is what happens. Such utter disrespect to an invitee , a senior actor!! I’m nauseated.”

Raees director Rahul Dholakia condemned the “rude and unartistic” behaviour and wrote, “Rude & unartistic – should have heard #AmolPalekar out, after all he was the celebrated guest speaker you invited.; after which you could have responded. #NGMA.”

Pooja Pillai is a Senior Assistant Editor at The Indian Express, working with the National Editorial and Opinion section. Her work frequently explores the intersection of society, culture and technology. Editorial Focus & Expertise Pooja’s writing spans several key domains, often blending analytical commentary with cultural critique. Art & Culture: She writes extensively on cinema, books, and the evolving landscape of arts and entertainment. Technology & Society: Her work examines the human impact of the gig economy, the rise of AI in creative fields, and the cultural shifts driven by digital platforms. Food & Lifestyle: She often uses food as a lens to explore history and politics, covering everything from the origins of pantry essentials to the impact of nutrition policy. Politics: She closely tracks political developments in South and West India and provides commentary on international political transitions, including the shifting landscape of American politics. Multimedia & Podcasting Pooja is a prominent voice in the Indian Express’s digital ecosystem. She is the host of 'DeshKaal with Yogendra Yadav', weekly video podcast where she facilitates deep-dive conversations on Indian democracy, social movements, and current political affairs. Notable Recent Works Cinema & Identity: “SRK@60: Why Shah Rukh Khan is Bollywood's last, and only, superstar” – an analysis of stardom and the changing face of Indian identity Global Politics: Commentary on the Trump administration’s misguided “war on woke culture” via typography and analysis of the visual semiotics of Volodymyr Zelenskyy’s attire during successive visits to the White House. Art & AI: “An unequal music: AI is lowering barriers at the cost of music itself” – a critique of how technology is redefining artistic value. Professional Presence Pooja is active on X (formerly Twitter) and Instagram, where she shares her latest columns and editorial insights. Her full archive and latest updates can be found on her Indian Express Author Profile. ... Read More

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