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This is an archive article published on August 2, 2016

For me, the battle will go on: John Abraham

Keen on creating off-beat content for the big screen, actor-producer John Abraham wants to keep looking for stories with substance.

john abraham, Dishoom, Dishoom movie, Dishoom hindi movie, john araham movies, john abraham interview, john abraham producer, john abraham images, john abraham pictures, john abraham movie promotions, bollywood, bollywood news These days, he has producers willing to back his projects, but he is yet to find a script that would interest him enough to face the camera. (Source: Express photo by Jaipal Singh)

“Telling a good story gives me the biggest thrill,” says John Abraham, whose latest offering Dishoom released last week. A film about the case of a missing Indian cricketer, it has Abraham play one of the cops trying to solve the case. The second cop is played by Varun Dhawan.

A prominent action hero, Abraham gets his dose of thrill these days from reading “some offbeat and original content”. “My biggest thrill comes from identifying something exciting. When that idea or story is translated into a film and looks interesting, that makes me extremely happy,” says the actor, who has also produced successful movies such as Vicky Donor and Madras Cafe.

After stepping into the film industry nearly 14 years ago with Jism, the model-turned-actor has been, for the last few years, consciously “trying to build a filmography that is special”. And, he doesn’t mind the failure that this pursuit throws up. “I try not to follow a trend. In my case, such moves have paid off handsomely as well as failed miserably,” says Abraham. After Dishoom, he returns later this year in Force 2 as ACP Yashvardhan who is on a new mission that will see him chasing the baddies. After Force 2, however, he has not signed any film. “What I do, I want to do it right,” he says.

These days, he has producers willing to back his projects, but he is yet to find a script that would interest him enough to face the camera. He mentions that he feels let down by the scripts he gets. “We may have great dialogue writers, but we don’t have screenplay writers who are as good. There is a need for that. There are so many directors who have worked with me and have made it so big today. Have they graduated in the way they tell their stories? I don’t think so,” Abraham says. He proclaims that his office is very democratic where anyone with a great idea is welcome and can expect a patient hearing. “Newcomers come to me because I am someone who listens,” says Abraham.

The pat on the back for making such movies, however, does not always come as expected. And sometimes it comes after a gap. “For a number of my previous movies which have failed, including No Smoking, Water or Kabul Express, people have said that had they released today, they would have done well,” says Abraham, who also knows the brickbats well, the kind he has often got in the past for his acting skills. “Criticism for me is water on a duck’s back. I do respect criticism, but I brush off any criticism that is unwarranted and will harm me.”

After working in a series of comedy and action movies, Abraham says that his “comic timing” gets better with each film while “action” is second nature to him. “I picked up nuances of comedy from Priyadarshan while working on Garam Masala (2005). The other person who helped me by being there is Akshay Kumar. I also learnt from Paresh Rawal and Rajpal Yadav on the sets. I was new to comedy and they were quick. But I worked on my craft,” he says. For him, action is more about attitude. “I have got a good blend of action and comedy. Dishoom has both. For this, I listened to Rohit Dhawan, the director. He is very sure about what he wants,” he says.

Abraham’s image has always been associated with his looks and physique and he knows that. “When I turned producer, there was a 180-degree change in the way people perceived me. They thought here was a thinking actor who was not just about his body or a yellow trunk. For me the battle will go on. I will always try to prove a point. Not to the audience, who has been loving and forgiving, but to my fraternity. When they are least expecting it, I intend to come back with something special,” says the actor, who adds that he prefers polishing his bikes to attending Bollywood parties.

Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism. Expertise & Accolades In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023. Global Industry Leadership Alaka’s expertise is sought after by major international and domestic film bodies: Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes. National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema. Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends. Focus & Vision Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More

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