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The neglected genre of still life photography will be celebrated through the works of 37 photographers.
It is one of the most primitive subjects in visual art history. The ancient Egyptians engaged with still life by painting fruits hoping these would turn real in their afterlife. Still life was a preoccupation with Dutch and Flemish artists and some modern avante garde artists too. But,still life in contemporary photography is an oft-ignored genre,overshadowed largely by people,streets and landscape. An exhibition curated by Tasveer pays ode to the genre,in an Indian context,through the works of 37 photographers at Mumbais Art Musings gallery.
The exhibition,titled 37 Indian Still Lifes,will open on March 15 and is part of the FOCUS festival. It will carry through the notion of narratives and ideas and how meaning is produced and conveyed through inanimate objects, says Nathaniel Gaskell,curator and creative director,Tasveer.
Generally,culture is studied through its people and their landscape,but their stories lie in lifeless objects such as architecture and tradition. This forms the central theme of the show. While some of the works are used from Tasveers archives,the rest have been specially assigned to the photographers.
The photographs try to capture Indias ancient and the nouveau in equal measure,sometimes capturing the bizarre coexistence of both. Like in Anna Foxs Hotel Interior,a photo taken in an exotic hotel in Rajasthan,where we see a modern telephone receiver placed above a glass case containing a stuffed tiger head.
My intention was to observe in detail the way different worlds rub up against each other in everyday Indian life. By observing these collisions,I wish to comment on a society in flux,competing on a global stage for a different kind of recognition, says Fox.
The show thats on till April 13 will feature works by Vivek Vilasini,Saibal Das,Mahesh Shantaram,Neeta Madahar and Jyothi Bhatt,among others.
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