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This is an archive article published on January 1, 2011

Another India

Every story has its own destined journey. Omair Ahmad first wrote Jimmy The Terrorist as a short story in 2003.

With Jimmy The Terrorist,Omair Ahmad explores the fear and claustrophobia of small town India

Every story has its own destined journey. Omair Ahmad first wrote Jimmy The Terrorist as a short story in 2003. Living in Washington DC,this was his attempt to understand “how our recent history of riots and curfews might affect an anonymous young man growing up in North India”. Ravi Singh,editor-in-chief of Penguin India,saw the potential of a novella or a novel in it. Prodded by him,a couple of years ago,Ahmad got down to writing a longer story on Jimmy,a young man who stabs a police inspector and is beaten to death in the small imaginary town of Moazzamabad in Uttar Pradesh.

Jimmy’s story,now available in a hardcover and priced at Rs 350,has grown from 4,000 words to 45,000 words. “The novel is technically based on the short story but it’s essentially a new work. One can’t change a 4,000-word story into a novel. It doesn’t work,” says the 35-year-old. In the novel,he starts the story with Jimmy’s father Rafiq,revealing more about his family and the lives of his parents. Rafiq,as a youth,aspires to hobnob with the upper class Muslims of Moazzamabad and later marries Shaista,who is from an elite Muslim family. After her death,followed by the demolition of mosque in Ayodhya,he becomes a mullah. And Jimmy grows up watching his father and his neighbourhood change as curfew reaches Moazzamabad.

For Ahmad,looking at Jimmy’s background was a kind of exercise in looking at India itself. “Doing the field research for the book was like discovering my own country — its history and current affairs,” he says. As it is,there are very few books written on India’s modern history,compared to Europe and America. “We live in perpetual embarrassment of not knowing enough about India,” he says. Ironically,it’s when Ahmad was studying in America that he realised how little he knows about his country.

An opportunity to rediscover India came when the author was working on a magazine’s special issue on India after 13 years of Independence. This explains the author’s decision to start the story in the ’60s,touching upon the lack of jobs and events like the Jabalpur riots. The story culminates amidst the paranoia and fear of the ’90s. Jimmy The Terrorist’s narrative,particularly in the second half of the book,acquires a tone that sounds very close to real life. Ahmad,who has lived in Aligarh and Gorakhpur,confesses to experiencing the claustrophobia of curfew and fear.

With a pronounced flavour of life in eastern UP percolating into his storytelling,the writer says that geography changes narrative. Readers can experience more of this in his next book,Unbelonging,a collection of “long short stories” set in this part of the country. For those looking beyond India,he is also working on a non-fiction book on Bhutan.

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