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This is an archive article published on August 19, 2013

Each Minute Counts

The Hindi adaptation of American tele-series 24 is bringing the real-time narration format to Indian television for the first time

The desks at the Anti-Terrorist Unit (ATU) are lined with files with colourful post-its. The computer screens flash the agency logo and a large pin board is cluttered with blueprints of buildings,maps and half-a-dozen sketches of suspects. Next door,with heavy doors and tinted windows,Agent Jai Sing Rathod is seated across the Prime Ministerial candidate. Following three sharp knocks,Agent Abhilasha enters and the air suddenly thickens with tension. As the scene unfolds,the mesh of cables running across the floor and the sporadic calls of “Action!” and “Cut!” are the only give-away to the fact that it’s a set.

It’s 1 pm on the 106th day of actor Anil Kapoor’s ambitious Hindi adaptation of the American tele-series,24. Although the cast and crew of the show,which will go on air in September on Colors,has been shooting at Bharat Silk Compound,Kurla,since 6 am,the set continues to buzz with energy. Each episode will depict an hour in the life of Agent Rathod as he races against time to fight terror in Mumbai.

Shabana Azmi — in grey kurta and trousers and her left hand in a cast after a recent accident — is seated with director Abhinay Deo. The veteran actor,who will be making her television debut with the series,plays Agent Abhilasha who replaces Agent Rathod in the unit for a brief period. She confesses to not having seen the American series but with six of her 10-day shoot behind her,Azmi says that the show is going to be unlike any on Indian television. “Abhinay takes a whole week to shoot one episode. So the quality of the show,in terms of detailing,direction and performances,is very high,” says Azmi.

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Working on a format,where every minute of the chosen hour from Agent Rathod’s life has to be accounted for on screen,has been exciting too. “It’s almost mise en scene; for instance,when we’re shooting a phone call,the entire conversation — with the person’s responses at the other end of the line — is accounted for. It feels more like working for theatre,” she explains,adding that the format is called real-time narration.

Between shots,Kapoor,who is also the producer of the series,carries a cup of coffee as he casually chats with the crew. Although he played the leader of a Middle-Eastern country in the eighth season of the American series,Kapoor will portray the protagonist Jack Bauer’s part as ATU Agent Rathod in the Indian version. Under Deo’s direction,he believes,they have captured Mumbai like never before. “We shot at the Worli village,where I shot for Mashaal 20 years ago,” Kapoor says. Deo says with confidence that 24 is the change Indian television has been waiting for,and working around the format is a challenge he is enjoying.

Using Mumbai as the backdrop is both exciting and challenging. Deo recounts the time they shot at Dockyard Road. “We filmed the sequence with trains running on elevated tracks,but before we could wrap up the shoot,trains stopped for the day,” says Deo. The unit had to work around the train schedules to start the shoot at 4 am the following day.

Although an adaptation of the American series,the soul of its latest version is purely Indian. “In India,patriotism,loyalty and family — something that Agent Rathod fights for — have a different meaning. So we wanted to get the drama and emotion right,” says Deo.

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