There’s a line in Kafan where the two grieving, indifferent men—father and son—sit outside a liquor shop, having spent the shroud money on drink. But Premchand leaves us with this question: Who decides what grief should look like, when the system itself is so cruel that the living envy the dead?
Scriptwriter Javed Akhtar on why they were confident Sholay would be a hit despite the reviews, the enduring appeal of Gabbar and putting his money on the film that generated Rs 3 crore in 1975.
The Indian Express visits Kolhapur's Chappal Galli and to factories and homes where entire families, from parents to children, work together on the chappals, where caste, fashion and history come home
No little animal ever seems to just roll over and give up. All the while, it continues to fight valiantly in its corner
Sonal Holland, India’s first Master of Wine, shows how wine and life are both allegories. We are all products of our terroir, of the climate and culture that shape us
Indians are increasingly relying on health supplements thinking they can eliminate the need for doctors. Reality is that they are trapping themselves in an illusion of self-care as these pills are without their side effects
Himesh Reshammiya’s resurgence is real. The mania, however, lies in a curious combination of nostalgia, FOMO in times of Insta reels, a thriving live-music industry and that age-old need to grasp at a familiar cultural memory.
In a conversation with Payal Kapadia, Neeraj Ghaywan talks about Masaan turning 10, opting to end the story with hope, roping in Indian Ocean to compose its songs, and paying tribute to Urdu and Hindi poetry.
The insect world is replete with invisible wonders – from the praying mantis and big cats to octopuses and cuttlefish. They shape-shift to ambush and escape from predators
Bharatanatyam exponent Malavika Sarrukai, 'India's greatest living dancer’ according to noted art historian BN Goswami, on her dance journey, questioning tradition and how pay parity between a dancer and a musician continues to be overlooked in the Carnatic world’s debate on caste and gender
We lost Aruna in the space of a month. One month. No warning, no gentle slide into frailty, no graceful exit that we could have seen coming. She was fine — more than fine — and then she was gone.
The return of movies such as Rockstar (2011), Tumbbad (2018), Kal Ho Naa Ho (2003), Interstellar (2014) and Yeh Jawaani Hai Deewani (2013) to theatres was met with overwhelming response.
The artist speaks about her creative journey, dipping into childhood memories to make motifs, and using folk elements in her work
Director Mohit Suri on making messy love stories, working with newcomers Aneet Padda and Ahaan Panday in Saiyaara, and banking on music instead of stars to draw in the audience.
In the concluding part of this series, conjuring up social media profiles for animals
Producers Zoya Akhtar and Reema Kagti along with director Ayesha Sood talk about their new docu-series In Transit; how stories can be instrumental in bringing change; and the challenges faced by the industry. The conversation was moderated by Alaka Sahani.
The story of Vinod Kapri's film Pyre stems from the director's visit to Munsyari in 2017, where he met an elderly couple.
An increasing number of Indians are turning to ChatGPT and other AI tools for relationship advice and emotional support. But it's a loaded gun
There is something sacred about the first meeting. The spark before speech. The hush before history. The first time your eyes collide, not in confusion, but in quiet confirmation
If animals had social media profiles, what would their status say?
There’s a strange crisis unfolding. Young minds aren’t broken by poverty or war or hunger. They’re broken by option paralysis, by endless comparisons, by trend-chasing that never leads to truth
As winner of the James Beard Award for Best Chef in New York, Vijay Kumar talks about childhood memories of foraging, keeping to the sanctity of authentic flavours and not pandering to Western tastebuds
In his centenary year, a look at Krishen Khanna's friendships as part of the famed Progressive Artists’ Group and how his paintings reveal a deep empathy for the marginalised
The ocean is a completely different beast at this time: it's ranting and raving, sending spume and spray high in the air – nothing well-mannered about it
'If my elder sister does something wrong, it’s my duty to write against that', says Sahgal, 98, at her home in Dehradun


