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This is an archive article published on January 10, 2011
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Opinion 2011 will be for women

How girl-power movies and all-women starrers are replacing item songs

January 10, 2011 04:48 AM IST First published on: Jan 10, 2011 at 04:48 AM IST

New Year Audacity

The new year comes with some nice little surprises. First off,Udaan,a small film (strictly in terms of its budget,a modest Rs 3 crore),wins the best film award at the 17th Star Screen Awards. Then Bollywood decides to kill one of its age-old superstitions,of not releasing a big film on the first Friday of the year because of its almost 100 per cent flop track record. Producers UTV Spotboy and director Raj Kumar Gupta took up the January challenge with No One Killed Jessica (NOKJ) and,last anyone checked,they have no reason to complain.

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The Rani Mukerji-Vidya Balan starrer is cruising along well,fuelled by a good opening,positive reviews and heartening word of mouth.

In a hero-dominated industry,it is generally believed that women don’t make a poster and hardly ever sell a movie. The Rani-Vidya combo has tweaked the belief. Even as a film,NOKJ should be able to break the glass ceiling. It has everything going for it: it’s budgeted smartly,marketed strongly and tells a story we all know by heart and have invested a lot in emotionally. The intention of the film is noble but director Raj Kumar Gupta does not let that become a cross around his neck. In this fast-paced thriller Gupta takes the middle path between fact and fiction.

Albeit there are a few broad strokes but as a film experience,NOKJ rivets and moves.

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Gupta opts for a number of shrewd choices. Mukerji’s character has been conceived as the hero of the film. As the fiercely ambitious journalist,Meera Gaity,Mukerji,who seems to be channelling Erin Brockovich,displays her badass side with relish. Hers is a new character in the commercial Hindi landscape: she swears profusely,smokes unapologetically,gets hot and sweaty with a random guy (maybe she picked him at a bar or maybe they are friends with benefits,we don’t know because the guy doesn’t show up again). Gupta even gives his ‘shero’ a slo-mo exit. She is the yang to Balan’s yin. The latter of course is the soul of the film. As Sabrina,Balan pitches in an affecting performance as she fights to get justice for her slain sister,Jessica. Together,Balan and Mukerji make a formidable team. They go after the villainous system and,yes,they emerge triumphant.

NOKJ underscores that heroine oriented subjects when made smartly can work.

The Main Items

Bollywood in fact is revelling in a show of women power. Some of the year’s most high profile films are being helmed by women. Kiran Rao’s Dhobi Ghat is on its way. Zoya Akhtar’s Zindagi Na Milegi Dobara,toplining Hrithik Roshan,Farhan Akhtar,Abhay Deol and Katrina Kaif,is an eagerly awaited summer release. The biggest cherry of course is Reema Kagti’s untitled cop thriller with Aamir Khan,Rani Mukerji and Kareena Kapoor.

Our leading ladies are also seriously championing the cause of sexy stories driven by them. Priyanka Chopra gets into seven get-ups as she plots the murder of her seven husbands in Vishal Bhardwaj’s Saat Khoon Maaf. Girl power gets a thirties edge with Gul Panag in Turning 30. Vidya Balan is gearing up to enact the life of southern siren Silk Smitha in Ekta Kapoor’s The Dirty Picture. In Sujoy Ghosh’s Kahani,she does a desi Kill Bill as a pregnant woman who goes looking for her missing husband.

Girls just wanna have fun,it seems. Sheila and Munni are so last year. This year,it’s all about the stories. The item songs can wait.

harneet.singh@expressindia.com

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