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Folk Tales

8220;This is the Tithi bird. It has been cursed to live in fear of the sun,8221; states artist Arpana Caur, as she looks at an ink and acrylic on canvas by Gond artist Rajendra Singh Shyam.

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In a new book, Arpana Caur pays tribute to folk art from the world over

8220;This is the Tithi bird. It has been cursed to live in fear of the sun,8221; states artist Arpana Caur, as she looks at an ink and acrylic on canvas by Gond artist Rajendra Singh Shyam. She swiftly moves to the other side of the room to show us Jangarh Singh Shyam8217;s bull with fine red dots painted on a black background on paper. The two works from her collection of folk art seem rather dissimilar, but the artist traces common elements as she points out that Rajendra was a disciple of Jangarh. She has been carefully studying every work in her Folk Art Museum for a long time, but during the last year the research has been more in-depth as she dedicated pages to each of them in the book titled The Magic Makers that will be released next month.

8220;With this we hope to reach people who may not be able to visit the museum. The aim is to popularise folk art,8221; says Caur, as she sifts through the 300-page publication that has been neatly classified into different categories, in tandem with the display at the folk art museum. If the Midnapore patua portraying incidents from Ramayan finds place in the section on 8216;Folk Painting8217;, then ceramic pots from Cambodia and Turkish teapots are under 8216;Images from Abroad8217;. Details about scrolls with tantric motifs are discussed by author PC Jain in a chapter on 8216;Tantra8217; and 8216;Sculptures8217; has several beaten metal artifacts from Bastar. 8220;The classification puts the information in a streamlined manner,8221; smiles Caur.

Amid the 500-odd objects of Folk art, Caur8217;s canvases too find place in the publication in an article written by John H Bowles that narrates her collaboration with Mithila-based artist Sat Narayan Pandey for a show titled 8216;Between Dualities8217; that took place in 1997. While this had the duo work together on artwork, later Caur used motifs of folk art in several of her canvases. For instance, in 8216;Tears for Hiroshima8217; she paints godana motifs with the ruined Genbaku Dome to depict destruction caused by the bombing and 8216;Rites of Time8217; has Warli trees circling the canvas.

More contemporary themes, meanwhile, find place in work by folk artists. If Amrita Das portrays Tsunami in Sri Lanka in Mithal patterns, Bapi Chitrakar paints the Gujarat earthquake on a Bengali scroll and Gond artist Durga Bai has the Bhopal gas tragedy in an ink drawing.

As Caur checks the final proof of the book, also lined up are annual exhibitions on folk art. The beginning will be made with an exhibition on Bengal folk art featuring Roma Chatterji8217;s collection that will take place on October 25 and up next are a series of curatorial shows that will feature work from Caur8217;s museum. 8220;Folk artists need to get their due,8221; notes Caur. The book she says, has more tales related to folk art, bringing together the traditional and modern.

Curated For You

Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More

 

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