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This is an archive article published on April 22, 1998

Devoid of decorative effects

Anjali Arora held her first exhibition in Ahmedabad's Ravi Shankar art gallery last week. The cheerful stills seemed just right for a lazy S...

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Anjali Arora held her first exhibition in Ahmedabad’s Ravi Shankar art gallery last week. The cheerful stills seemed just right for a lazy Sunday summer afternoon. Bright flowers in vases, fruits and vegetables and the dining room have a sense of completeness in themselves. The right interplay of light and dark and bright ample light in her landscapes added to the charm of her paintings. It brings alive the streets of Venice, Italy and Amsterdam.

Her paintings have the no-nonsense feel about them — done in natural colours, devoid of artificiality and decorative effects. All the subjects are contemporary and can thus be related to easily.

Another factor which distinguished her exhibition from others is the explanatory notes attached below every painting, explaining the circumstances and the exact location in which they were made. The art of good cataloging added an extra dimension to the exhibits. For example in one of her paintings, she shows her son immersed in books with his favourite soft-toy lying next to him. At other times one can imagine her quickly setting up her pallet to catch the fast-fading freshness of the Asters.

Arora explains that she is essentially self-taught with just an one-year stint at Kanoria Centre for Arts. Her formal education has been in Business Management. Why this change in discipline? "As a painter, I find that apart from keen observation and concentration, the most valuable skill need for an artist is analytical ability," she explains. The exhibition is slated to travel to Mumbai next month to face a wider audience.

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