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This is an archive article published on January 16, 1999

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Rekha Surya is a notable exponent of the allied forms of Thumri Dadra, Kajri, Hori, Jhoola, Chaitai and Ghazal. She trained under legenda...

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Rekha Surya is a notable exponent of the allied forms of Thumri Dadra, Kajri, Hori, Jhoola, Chaitai and Ghazal. She trained under legendary Begum Akhtar, Bashir Khan, and Girija Devi. She has performed in India and abroad, and is now preparing to represent India at the Asia Music Festival in Sri Lanka this year.

Rekha8217;s own style of singing is a mixture of Benaras and Patiala gayaki as a result of her training with Girija Devi and Bahsir Khan. She is proud of the fact that after the two stalwarts of light classical, Girija Devi and she is amongst the young singers who is committed to the cause of light classical. 8220;I try and bring out the essence of every form. Thumri should be sung in a slow stately meter, whereas the dadra8217; must maintain its lilt. Kajri and jhoola which are related to the rains must do full justice to the lush descriptions of nature whether they talk of the emotions of joy or rejoicing or of separation and viraha8217;.8221;

Rekha belongs to Lucknow, the old Awadhi capital of culture and tradition. She was in the city recently where she gave a performance of light classical music. 8220;Light classical music is basically a rendition of love songs set to rangeen gayaki8217;. Rekha calls herself a revivalist of sorts. She is working towards giving respectability to light classical music which is looked down by the puritans of classical music. Classical music and bhajans have their own followers but the ghazal8217; has declined in the country. 8220;The reason for the decline of the ghazal is because it has been plucked out of the light classical repertoire. Ghazal gayaki is basically sung in the thumri ang8217;.

Mehndi Hasan is one ghazal singer I admire tremendously. He has given ghazal8217; a new dimension. I appreciate him as a brilliant singer. But no good ghazal8217; singer can do full justice to ghazal8217; without being a good thumri ang8217; is basically something which pleases the heart, and they use it as a demerit. They do not give ghazal8217; its due respect.quot;

Rekha is very clear about the genre of ghazal gayaki8217;. While the khayal8217; is bound by difficult rules and sung within the classical parameters, the thumri8217; gives the artist liberties to excite the crowd. 8220;A good ghazal8217; singer has also to be a good thumri8217; singer. Most of the singers are singing the gazal either in the khayal8217; style, or those following the Bombay filmi style are singing the ghazal8217; in the geet numa ang8217;. The ghazal is not getting its due respect. 8220;Rekha was initiated into the genre by Begum Akhtar who told her, 8220;A ghazal is like a painting, you have to make a very beautiful frame around it and the frame should not over power the painting. The musical treatment has to be very judicious. The base of ghazal8217; lies in the purvi ang8217;, and the murki8217; and the khatka are its embellishments.quot;

In the golden age of ghazal8217; gayaki8217; the two essential musical accompaniments were the sarangi and the table. But today particularly in the Bombay film world a lot of guitar is being used. 8220;Jagit Singh started it, because of the Pakistani singers who are far superior to the Bombay ghazal8217; singers. In any case most of the Bombay filmi ghazals are based on the geet numa style8217;of singing, which is not really traditional style of ghazals8217;.

Rekha is deeply committed to light classical music, which she feels needs to establish its own identity. While classical concerts and bhajans have their share of committed audience, it is the light classical which needs to build its own platform. 8220;I have fought against the tide. What I do is not a socially respectable profession, which is probably why I am unmarried as yet. Had I been a bhajan singer the situation would have been different. It is surprising because we were the first liberal society and now we have gone to being strangely puritanical. This scenario coupled with the Victorian morality has affected our art and the dance girl is being looked down upon.

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She considers himself to be revivalist of this genre of light classical music. 8220;Delhi is a very trend-conscious city. It is a very pseudo-intellectual city, where it is considered very serious and pure to sing bhajans. The bhajan wave is on its way out. I feel there is a change in trend. Earlier people were blocking light classical out.8221; The fact that she has been asked to represent India in the Asian Music Festival at Sri Lanka is a pointer to the change in trend.

 

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