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This is an archive article published on November 24, 2015

In Twelfth Night, every character is in love but can’t get what they want: Oliver Dimsdale

Oliver Dimsdale on a rock ‘n’ roll adaptation of William Shakespeare’s Twelfth Night that is touring India.

Oliver Dimsdale , theatre artist Oliver Dimsdale, Twelfth Night, Great expectations, Prince Edward VIII, Christmas Special, play, indian express Oliver Dimsdale (left); a scene from Twelfth Night

Oliver Dimsdale has a way of moving from the stage to films, and from television to voice-overs in the UK. He has been Pip in the play Great Expectations, and Prince Edward VIII in the Christmas Special of the hit TV series Downton Abbey. One of the founders of the out-of-the-box Filter Theatre from London, Dimsdale brings Twelfth Night, a play that’s going strong 10 years after it was staged, to Delhi, Chandigarh, Kolkata, Bhubaneshwar, Chennai, Hyderabad, Goa and Mumbai. Excerpts from an interview:

What keeps your Twelfth Night fresh, a decade after you first staged it?
It is Shakespeare’s most lyrical play and we like to think of our adaptation as a rock ‘n’ roll gig meets an intricately sound-designed radio play.

How have to treated Shakespeare’s characters and dialogues musically?
In Twelfth Night, every character is in love but can’t get what they want. The servant Malvolio is outwardly puritanical but wants to be flamboyant so he speaks in rock ‘n’ roll; the mourning Olivia has classical soul pieces, the fool Feste talks in ska and rock ‘n’ roll while Count Orsino is all country and western.

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Why a bare set for one of literature’s most festive plays?
We had no money. Also because we wanted audiences to imagine. The five actors are always present on stage, fiddling with Play Station gadgets or music instruments, when not playing their scene. After their scene is over, they return to the music in the background.

How have you dealt with the political commentary on gender and class?
It is significant that, 400 years ago, Shakespeare wrote of a woman who disguised herself as a man to survive. Issues of migration, refugees as well as working class versus aristocrats emerge throughout the play without our tampering with the original text.

Why have you cast a woman actor as the fool Feste?
To achieve a balance of three male and female actors on stage.

The play will be staged at British Council in Delhi today, 7 pm; and Modern School, Barakhamba Road, tomorrow 7 pm. Entry: free. Contact: 23711401
The play will also be staged in Chandigarh (November 27-28); Kolkata (December 1-2) and Mumbai (December 17-18). For details, visit: http://www.britishcouncil.in

Dipanita Nath is interested in the climate crisis and sustainability. She has written extensively on social trends, heritage, theatre and startups. She has worked with major news organizations such as Hindustan Times, The Times of India and Mint. ... Read More


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