Dipanita Nath

Anang Tadar, a student of engineering, on his innovative goggles for the blind.

How three boys in saris and one girl in a suit subverted gender norms at a Pune college recently.

At ITFoK, one of the most political theatre festivals of India, first-time curator Amitesh Grover attempts to mirror the fissures of India on stage.

Kalinga was trading with Indonesia 2,000 years ago, which is why Ashoka invaded Kalinga. He was lured by Kalinga’s wealth. We were trading overseas but forgot it as Indians began to suffer from the kala pani taboo, which was centred around ocean travel, where it was believed that if you crossed the ocean, your dharma will be tainted and you will become an outcast.

His grandfather, FN Souza was one of India’s pioneering modern artists, founder of the Progressive Artists’ Movement and creator of works of great power and strength.

More than three decades after Sudhanva Deshpande brought an injured Safdar Hashmi to a Delhi hospital, he writes a book on his comrade.

Feisal Alkazi’s new play focusses on modern-day relationships and the many dilemmas of the youth

Daughters Opera, an Indo-Australian production, brings the visible and invisible labours of women on stage

Curator of the exhibition at Serendipity, Sudarshan Shetty, was looking at innovations across walks of life, regions and genres when he came across Air-Ink. “We wanted all kinds of voices for the exhibition. Air-Ink looked like the beginning of something important,” says Shetty.

Theatre practitioners plunge into personal loss and political mayhem to create stories on stage for 2020.

The exhibition, curated by Sudarshan Shetty at the prestigious festival, was briefly shut Wednesday after visitors scribbled slogans against the Citizenship (Amendment) Act on blank canvases.

On the same day, a visual arts exhibition curated by Sudarshan Shetty at the prestigious event was briefly shut after visitors scribbled slogans against the Citizenship (Amendment) Act on blank canvases.

Actor Kalki Koechlin on the adaptation of Anton Chekhov’s Uncle Vanya, a global idea of unity and having a baby

Lagoo is most well known for playing a retired and elderly actor in Marathi play Natasamrat, and a shy and gullible teacher in V Shantaram’s film Pinjara, apart from his performances in Jabbar Patel’s political dramas of the 1970s.

Actor Ashwath Bhatt first read Manto in 1997, when he was directing and acting in Thanda Gosht at Shriram Centre, an auditorium with its own repertory in Delhi.

Theatre director Atul Kumar, a curator of the Serendipity Arts Festival, on its central idea and why less is more

"Music changes every 10 years but we stick to Indian classical music. We ensure that the spirit of the event is adhered to. One of the changes has been in the restrictions on timings," said Shrinivas Joshi, executive president of Arya Sangeet Prasarak Mandal.

Amol Palekar is starring in a new play after 25 years. He talks about returning to the stage, art and whether cinema exploited his talent enough.

The Pune-based startup, which was launched in 2017 by Vengurlekar and Amit Bhadbhade, is on a mission to make non-English speakers conversational in the language, and hone the fluency of those who have a rudimentary knowledge of it.