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This is an archive article published on November 11, 2020

Sculpture celebrating Mary Wollstonecraft draws criticism: Who was the ‘mother of feminism’?

Even though the sculpture — a nude female figure — of Mary Wollstonecraft by artist Maggi Hambling has come under immense flak for its objectification of the female form, the tribute to Wollstonecraft has been long overdue.

Mary Wollstonecraft, Mother of feminism, Mary Wollstonecraft statue, Mary Wollstonecraft statue controversy, Maggi Hambling, express explained, indian express, who was Mary WollstonecraftThe Mary Wollstonecraft statue, 'Mother of feminism', by artist Maggi Hambling in London. (Photo: Reuters)

After a decade-long campaign, on Tuesday, Mary Wollstonecraft, the 18th-century British feminist writer and philosopher often regarded as the “mother of feminism”, was honoured with a memorial statue at Newington Green in north London, where she spent a considerable part of her life.

Even though the sculpture — a nude female figure — by artist Maggi Hambling has come under immense flak for its objectification of the female form, the tribute to Wollstonecraft has been long overdue.

Who was Mary Wollstonecraft?

Mary Wollstonecraft is best known as the writer of the pathbreaking ‘A Vindication of the Rights of Women’ (1792), an early treatise on gender equality. But in her brief, unconventional life, Wollstonecraft’s road to acclaim was far from smooth.

Born in April 1759 in a prosperous household, Wollstonecraft was the second of seven children. Her father, Edward John Wollstonecraft, was a speculator and a dipsomaniac, squandering away the family income and turning increasingly abusive towards his wife and children.

As a child, the first place Wollstonecraft would face discrimination was at home — while her older brother received extensive formal education, her sisters and she were only afforded day schools for a few years. Nonetheless, she continued to read and write on her own, spurred by her curiosity and the necessity of economic independence, following the slump in her family’s fortunes.

Shaped by friendships

Wollstonecraft’s desire to learn was fuelled by two definitive friendships in her early life — with Jane Arden, the daughter of a philosopher, and with Frances Blood, who would go on to become an illustrator and educator. The women read together and attended lectures and, after a brief stint as a lady’s companion, Wollstonecraft even opened a girls’s school with her two sisters and Blood in 1784, when she was about 25 years old. Even though the endeavour would come to an end after Blood’s untimely death during childbirth, these were some of the most intellectually stimulating years for Wollstonecraft.

A chance meeting with political reformer Richard Price would be the beginning of another friendship that nourished her intellectually. Through Price, Wollstonecraft would meet the future American President Thomas Jefferson and American polymath Benjamin Franklin, among others. These friendships would broaden her horizons and stimulate her interest in contemporary politics and culture.

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Wollstonecraft’s writings

The death of Blood, to whom Wollstonecraft was deeply attached, would be the trigger for her first book. Following a stint in Ireland as a governess, Wollstonecraft would return to London to write ‘Thoughts on the Education of Daughters’ (1787). It was published by Joseph Johnson, a liberal publisher – and even though it was marketed as a book of conduct for women who wanted to be good wives and mothers, Wollstonecraft advocated compulsory education, and encouragement of critical thought and life skills for economic independence of women.

This would be the beginning of her writing career, an unconventional choice for a woman of the time, but, as Wollstonecraft wrote to her sister, she was happy to become a pathbreaker — “the first of a new genus”. She learned new languages, including French and German, and worked as a translator and reviewer.

Impact of French Revolution

Through Johnson, Wollstonecraft’s intellectual circle would come to embrace thinkers such as the poet and essayist Anna Barbauld, the philosopher William Godwin, whom she would later marry, and political activist Thomas Paine.

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The egalitarian principles of the French Revolution, which began in May 1789, found favour with Wollstonecraft. When British politician Edmund Burke wrote a critique of the revolution in his ‘Reflections on the Revolution in France’ (1790), Wollstonecraft was quick to come to the revolution’s defence with her ‘A Vindication of the Rights of Men’ (1790), in which she argued that tradition alone cannot guarantee rights; it has to be based on notions of rationality and equality. Paine would join this parley, which came to be known as the Revolution Controversy, with his ‘The Rights of Man’ (1791), in which he backed Wollstonecraft’s contentions. 📣 Express Explained is now on Telegram

Her seminal work

The French Revolution would also be the spur for her seminal work. In 1792, when she was 33 years old, Wollstonecraft would take forward her argument for equality to gender roles in ‘A Vindication of the Rights of Women’.

For nearly a century, scrutiny of Wollstonecraft’s personal life took focus away from her radical fight for women’s emancipation. (Photo courtesy: tate.org.uk)

“I do not wish them (women) to have power over men; but over themselves”, she wrote, arguing that education was as much a right for women as for men. She made a case for moral and intellectual autonomy for women, who are “taught from their infancy that beauty is woman’s sceptre, the mind shapes itself to the body, and, roaming round its gilt cage, only seeks to adorn its prison”.

Wollstonecraft’s treatise was a response to a report submitted by Charles Maurice Talleyrand-Périgord to the French National Assembly, suggesting that women only be given domestic education. Her treatise was well received at the time, undergoing a change only after her death, with the publication of a memoir by her husband, Godwin, that recorded her unconventional personal life.

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Nevertheless, by the early 20th century, the book would come to be considered as one of the earliest feminist texts, foregrounding the centuries’ long struggle against misogyny and inequality.

Wollstonecraft’s legacy

Wollstonecraft died in 1797, 11 days after the birth of her second child, daughter Mary (who went on to write ‘Frankenstein’), when she was only 38 years old. A year after her death, her bereaved husband Godwin published ‘Memoirs of the Author of a Vindication of the Rights of Women’, as he believed “there does not exist her equal in the world”.

The intimate account of her life — her relationship with the American diplomat and author Gilbert Imlay, with whom she had a daughter out of wedlock, her affairs, the unusual marriage she had with Godwin, and her unconventional views on religion — however, had the contrary impact. It took the focus away from her writing to her personal life. The ensuing rather vicious scrutiny erased the memory of her radical fight for women’s emancipation for nearly a century – until British politician and suffragist Millicent Garrett Fawcett claimed her as one of the early feminist icons of the suffragist movement.

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Since then, successive generations of feminists, including writers Virginia Woolf and Emma Goldman, scholars such as Gary Kelly and Virginia Sapiro, have acknowledged Wollstonecraft’s legacy and the continuity of her ideas in successive stages of the movement.

Paromita Chakrabarti is Senior Associate Editor at the  The Indian Express. She is a key member of the National Editorial and Opinion desk and  writes on books and literature, gender discourse, workplace policies and contemporary socio-cultural trends. Professional Profile With a career spanning over 20 years, her work is characterized by a "deep culture" approach—examining how literature, gender, and social policy intersect with contemporary life. Specialization: Books and publishing, gender discourse (specifically workplace dynamics), and modern socio-cultural trends. Editorial Role: She curates the literary coverage for the paper, overseeing reviews, author profiles, and long-form features on global literary awards. Recent Notable Articles (Late 2025) Her recent writing highlights a blend of literary expertise and sharp social commentary: 1. Literary Coverage & Nobel/Booker Awards "2025 Nobel Prize in Literature | Hungarian master of apocalypse" (Oct 10, 2025): An in-depth analysis of László Krasznahorkai’s win, exploring his themes of despair and grace. "Everything you need to know about the Booker Prize 2025" (Nov 10, 2025): A comprehensive guide to the history and top contenders of the year. "Katie Kitamura's Audition turns life into a stage" (Nov 8, 2025): A review of the novel’s exploration of self-recognition and performance. 2. Gender & Workplace Policy "Karnataka’s menstrual leave policy: The problem isn’t periods. It’s that workplaces are built for men" (Oct 13, 2025): A viral opinion piece arguing that modern workplace patterns are calibrated to male biology, making women's rights feel like "concessions." "Best of Both Sides: For women’s cricket, it’s 1978, not 1983" (Nov 7, 2025): A piece on how the yardstick of men's cricket cannot accurately measure the revolution in the women's game. 3. Social Trends & Childhood Crisis "The kids are not alright: An unprecedented crisis is brewing in schools and homes" (Nov 23, 2025): Writing as the Opinions Editor, she analyzed how rising competition and digital overload are overwhelming children. 4. Author Interviews & Profiles "Fame is another kind of loneliness: Kiran Desai on her Booker-shortlisted novel" (Sept 23, 2025): An interview regarding The Loneliness of Sonia and Sunny. "Once you’ve had a rocky and unsafe childhood, you can’t trust safety: Arundhati Roy" (Aug 30, 2025): A profile on Roy’s recent reflections on personal and political violence. Signature Beats Gender Lens: She frequently critiques the "borrowed terms" on which women navigate pregnancy, menstruation, and caregiving in the corporate world. Book Reviews: Her reviews often draw parallels between literature and other media, such as comparing Richard Osman’s The Impossible Fortune to the series Only Murders in the Building (Oct 25, 2025). ... Read More

 

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