Two Much with Kajol and Twinkle review: A collab we didn’t know we needed
The first episode of 'Two Much with Kajol and Twinkle' features Salman Khan and Aamir Khan as guests, and sets stage for their candid confessions, banter and fun.
Rating: 3.5 out of 5
Written by Alaka Sahani
Mumbai | Updated: September 27, 2025 02:23 AM IST
4 min read
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Two Much with Kajol and Twinkle review: The hosts, Twinkle Khanna and Kajol, stay true to their reputation for candour, bringing their unfiltered selves to the screen.
The newest celebrity chat show on Prime Video, Two Much with Kajol and Twinkle, delivers pretty much what it promises. The hosts, Twinkle Khanna and Kajol, stay true to their reputation for candour, bringing their unfiltered selves to the screen. In the opening episode, they grill their superstar guests, Salman Khan and Aamir Khan, and put them in a spot, on the couch, with questions that “women wish to raise”.
Twinkle and Kajol mostly have their way — forcing confessions out of their guests, making them play games and even persuading them to drink a concoction of raw egg and orange juice. The guests, of course, play along — engaging in banter as well as offering some honest answers and insights.
Both Twinkle and Kajol, who are born into film families, have been part of showbiz for nearly three decades now. That apart, they have been co-actors of both the Khans in different movies. It is evident that they share a warm rapport with them that goes beyond just being former co-stars.
In a heart-touching moment, Salman reveals that Kajol’s father, Shomu Mukherjee, used to be close to both him and his father Salim Khan. A couple of days before his demise, Mukherjee had dropped in at Salman’s home, wearing a multi-coloured lungi as usual, and insisted on having a drink. He seemed to have a premonition that he wouldn’t live long.
Watch Two Much with Kajol and Twinkle trailer here:
Because of the familiarity that the hosts and the guests share, the conversations feel less like celebrity interviews and more like candid chats among old friends. That sets the stage for more revelations. Aamir admitted to being judgemental during his early years as an actor. He also claimed that he was devastated after his divorce with Reena Dutta and took about four years to come to terms with it. This is also the period when Aamir and Salman came closer and became friends. He also opened up about his mental health journey.
Salman’s big confession was that he “wants to have a child”. While he did not share how this wish of his would come true, he did mention that the younger lot in his family, mainly his grown-up nieces and nephews, can help in raising his child. Clearly, he has given enough thought to it.
Even though Salman seemed to be slightly withdrawn initially, he eventually opened up enough to make fun of acting talent. “I am managing with three expressions,” he said. The Bajrangi Bhaijaan star even deconstructed his walk, which some people find “intimidating”.
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Given their stardom, it is almost impossible that the audience would not know about certain aspects of their lives. To their credit, Kajol and Twinkle did get the Khans to share some honest moments and responses. “When a hero romances a younger woman, it’s called cinema magic. Why is it called bold when an older woman romances a younger man?,” they asked. While Aamir thought it depends on the script, Salman said that it’s done to add “freshness” in the pairing of the actors.
The first episode seemed more like a friendly adda during a house party where four friends seemed to be discussing their life, journeys, realisations while pulling each other’s leg and playing some fun games. Keeping that vibe intact, the hosts insisted that the guests sing before they wind up. The guests relented. Aamir hummed ‘Do mastane chale zindagi banane’ from their movie Andaz Apna Apna (1994) and Salman sang ‘Kahin door jab din dhal jaaye’ from Anand (1971).
The collaboration between Twinkle and Kajol is something we did not know we needed. But, it’s refreshing that they are not only bringing their energy and personal rapports to the show, but also creating some heartfelt moments with the stars, who continue to influence our popular culture.
The eight-part show will add a new episode on Prime Video every Thursday.
Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism.
Expertise & Accolades
In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023.
Global Industry Leadership
Alaka’s expertise is sought after by major international and domestic film bodies:
Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes.
National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema.
Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends.
Focus & Vision
Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More