Premium
This is an archive article published on December 17, 2011

Not in Step

Pappu is what fresh-off-the-train Vidyadhar Acharya gets called by brash Mumbai girl Mehak Malvade.

Pappu Can’t Dance Saala

DIRECTOR: Saurabh Shukla

CAST: Vinay Pathak,Neha Dhupia,Rajat Kapoor,Naseeruddin Shah

Rating: **

Pappu is what fresh-off-the-train Vidyadhar Acharya gets called by brash Mumbai girl Mehak Malvade. Pappu is an omnibus word,and can be used in an affectionate manner,specially when addressing young boys. But when Mehak says “Pappu”,she means an amalgam of duffer plus fool plus loser. She could very well have used Lallu instead,but she wouldn’t know how,would she?

Vidyadharji (Pathak) has done nothing to earn that sobriquet,other than being his Banarasi Babu self. Which means being resentful of puri aloo made differently at a Mumbai stall (aloo ki subzi mein kadi patta!),taking himself off to sleep at 11 pm (gyarah baje main sota hoon!),and being respectful of women (dekhiye,gaali mat dijiye!). Ms Malvade (Dhupia) is the cheese to his chalk. Blowing large gum bubbles,wearing very skimpy clothes,hustling to stay on top,she is a troupe dancer with an eye on the main chance.

It’s not that I have difficulty in buying the attraction between these two opposites. Stranger and odder couples have got it on,because no one knows what does it for two people. But I had trouble keeping myself interested because of the film’s flatness,despite some nice touches.

These are actors used to playing with each other,but sometimes that comfort can result in a film like this,which has a good idea at its heart,but gets weighed down with an unimpressionable arc. Pathak’s Mr Nice Irascible Guy is a part he can by now play with his eyes closed,though he’s much more palatable here than when he was teaching the too-immaculate Lara Dutta how to negotiate a country road in Chalo Dilli. It’s always fun watching Rajat Kapoor; you wish he was given more to do with his big-haired crack choreographer plus hard-edged-soft-hearted mentor. Neha Dhupia is more effective in smaller,sharper roles: here she is spread too thin,leaving us for longer with her limitations.

Also,how does someone like Mehak who cannot speak without using “tu-tadaak ki bhaasha”,lose her rough edges so suddenly? Does one hit music video make congenitally outspoken girls rinse their mouths overnight?

I kept looking for Ranvir Shorey,usually a part of this gang. He may have livened things up some.

shubhra.gupta@expressindia.com

Click here to follow Screen Digital on YouTube and stay updated with the latest from the world of cinema.

Latest Comment
Post Comment
Read Comments
Advertisement
Advertisement
Advertisement
Advertisement