Premium
This is an archive article published on September 3, 2011

Grunge Lite

Just the fact of having a real girl with real motivations at the heart of a film makes you want to celebrate.

Rating: 2 out of 5

That Girl In Yellow Boots

DIRECTOR: Anurag Kashyap

CAST: Kalki Koechlin,Gulshan Devaiya,Prashant Prakash,Naseerudin Shah,Pooja Saroop

Rating: **

Just the fact of having a real girl with real motivations at the heart of a film makes you want to celebrate. Place Ruth (Koechlin) alongside the airheads that are created for most mainstream cinema,and you get a person,not a mannequin. This is a girl in search of her lost father. And of herself. Not by slaloming in Spanish skies and exotic beaches,but by working seedy Mumbai outposts,which call themselves spas. Where the frustrated,or the pervs,or the lonely show up for massages and “happy endings”,which Ruth is willing to provide in return for some much-needed lolly. So far,so good. Where That Girl In Yellow Boots stopped being satisfactory is when I started wanting more,and didn’t get it.

Story continues below this ad

Anurag Kashyap’s ability to create this kind of grunge,and characters who live on the margins,is matchless. But by now we’ve got used to it. By now,we want the next level. There are flashes of it here,in some sure-footed cameos. The uncouth guy with a permanent burp on his breath who undresses Ruth with his eyes. The elderly man (Shah),who is a regular because he regards Ruth as a daughter,not because he wants a “handshake”. The momentary glimpse of an autorickshaw-driver,who gets his jollies by getting the gori mem to say a cuss word.

Kashyap sweats the small stuff well,but is not as successful with the bigger parts. Chitappa,the goon played by Devaiya,loses steam after a while; Ruth’s cokehead boyfriend (Prakash) never gathers any. And even Koechlin,who plays the fractured,damaged,half-Indian,half-British girl with a perfect pitch (she sounds and looks just right),doesn’t reveal as much of the darkness in her soul as the part needs her to. She stops,when her director does.

What’s under all this nicely-shot gunk? I come up with a few sharp specks.

No more. SG

Click here to follow Screen Digital on YouTube and stay updated with the latest from the world of cinema.

Latest Comment
Post Comment
Read Comments
Advertisement
Advertisement
Advertisement
Advertisement