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This is an archive article published on December 22, 2022

Connect movie review: Nayanthara’s latest is technically sound, true-blue genre film

Connect movie review: Ashwin Saravanan delivers breathless thrills during the Nayanthara starrer but the flat end takes something away from it.

Rating: 3 out of 5
Nayanthara in Connect trailerNayanthara in Connect trailer
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Connect movie review: Nayanthara’s latest is technically sound, true-blue genre film
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They are a picture of happy family when we meet Susan (Nayanthara), her husband Joseph (Vinay), and their daughter Anna aka Ammu (Haniya Nafisa) for the first time in Ashwin Saravanan’s Connect. Covid is still the stuff you only see in dystopian films, and the family is at the beach, happily making plans about the future of their music-obsessed daughter.

Like lakhs of others, the pandemic destroys the dreams of this family as it hurtles through their life. Susan and Ammu are confined to their home during the lockdown while Joseph, a doctor, toils relentlessly to help Covid patients. He succumbs to the virus, and a devastated Ammu resorts to black magic to connect with her dead dad. Things don’t go well, and she ends up being possessed by a demon. On top of that, both the mother and daughter test positive for the coronavirus, which cuts them off from the outside world.

Connect doesn’t rely much on the plot as much as it does on its technical brilliance and astounding sound design. Ashwin has had a firm resolution about staying true to the horror genre and hence doesn’t really experiment with the story. The screenplay pans out exactly how you would expect it to. However, the breathless thrills that you are served with distract from the generic story. You expect the climax to be the high point of the film, but it never builds up to a crescendo.

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In a way, that doesn’t seem to be what the director was going for with Connect. Despite all of the scares and technical bravado, Connect in its essence is about Susan’s character arc. Arthur (Sathyaraj), Susan’s father, pleads with her to have some belief in God. A friend tells her to have some kind of anchor in such trying times. Her final resolve to ‘believe’ was supposed to drive home the point, but it is not clearly etched out. It’s because we don’t really see her be one big skeptic in the first place. Or even the subtle depiction of her changes is eclipsed by the conspicuous technical work of the film.

Enough ink will flow while praising the technical brilliance of Connect, and it will be in no way unwarranted. The performances of Sathyaraj and Nayanthara make the film work. Even Anupam Kher as the Father, who only takes a brief screentime, makes us feels safe. With a few more tweaks in the screenplay, Ashwin Saravanan could have easily made a film like Searching (2018) or C U Soon (2020), as Susan’s video calls are used as a narrative device, and cinematographer Manikantan excels at pulling off this gimmick.

The biggest achievement of Ashwin Saravanan’s Connect lies in how, despite being a horror film, it is in touch with reality. While it’s true that cinema is seen as an escapist medium to forget the woes of the real world, there has been a total disconnect between the existing pandemic world and that of our Tamil mainstream films. Connect, living up to its name, finally bridges that gap by empathising with the ones who suffered during the pandemic. It takes us back to the times when we were confined to the four walls of our homes, fearing a threat we couldn’t fully fathom. Undoubtedly, it is in a sense triggering to see the character go through the same ordeal as we did, but it is also in a way cathartic. Again, it is pretty amusing that of all kinds of Tamil mainstream cinema, a true-blue genre has represented the ones that are still grieving.

Connect rating: 3/5

Connect director: Ashwin Saravanan

Connect cast: Nayanthara, Sathyaraj, Anupam Kher

Kirubhakar Purushothaman is a Principal Correspondent with Indian Express and is based out of Chennai. He has been writing about Tamil cinema and a bit about OTT content for the past eight years across top media houses. Like many, he is also an engineer-turned-journalist from Tamil Nadu, who chose the profession just because he wanted to make cinema a part of his professional life.   ... Read More

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