Premium
This is an archive article published on January 9, 2012

Guns not Roses

Crime replaces romance as the central plot and Bollywood’s characters are compelling people we want to engage with.

If masala is mandatory in a Bollywood film,“character” is certainly the new spice. 2011 strengthened the Indian film audience’s love for eclectic,character-driven films that tell a strong story. The nominations list for the Best Film Award for the 18th Annual Colors Screen Awards reveals this.

On the list are Abhinay Deo’s Delhi Belly,Rajkumar Gupta’s No One Killed Jessica (NOKJ),Bejoy Nambiar’s Shaitan,Raj Nidimoru and Krishna DK’s Shor In The City,Milan Luthria’s The Dirty Picture (TDP) and Zoya Akhtar’s Zindagi Na Milegi Dobara (ZNMD) competing for the top honour.

A noteworthy trend is that each film is a progression beyond the industry’s former centrality of boy-meets-girl-and-falls-in-love. Love does lurk around,stealthily or obviously; it enthrals,possesses,kills,even dies itself,but in unpredictable ways. Delhi Belly,with the highest number of nominations (19),is a comedy-thriller,not essentially a love story,even though a love triangle plays itself out in the film. No One Killed Jessica and Shaitan also kept romance at arm’s length. In Zindagi Na Milegi Dobara,despite two of the most attractive actors of contemporary Hindi cinema — Hrithik Roshan and Katrina Kaif — paired with each other,the film focussed on the complex yet fond relationship between three friends and their struggles with their inner demons. The lady love in Shor,interestingly,is the chaotic,multi-faceted Mumbai city. The Dirty Picture (TDP) was the only film where the man-woman relationship was explored but even that starts simmering only after the heroine has had a series of exploitative encounters. In a curious and enigmatic manner,this film gave us a fresh on-screen couple,Vidya Balan and Emraan Hashmi,whose on-screen chemistry is still being talked about.

Story continues below this ad

These films indicate that Bollywood seems to favour compelling life stories with crime and angst over soppy romances. Four of the six nominations,with TDP and ZNMD as the only exceptions,had crime as the backdrop for storytelling.

If crime is one plot,“character” is clearly another. Actors don’t just bamboozle us with their slick looks and digitalised dances,they are multi-layered people who we want to engage with. Shor,an ensemble film,heavily relied on characters and Pitobash as Mandook and Sendhil Ramamurthy as Abhay,shone through. Hrithik Roshan’s Arjun and Farhan Akhtar as the witty Imraan kept ZNMD lively. Vidya Balan essayed two such characters this year — the ambitious yet lonely Silk in TDP and the introvert but strong Sabrina Lall in NOKJ. Rani Mukerji made a good comeback in the same film as the feisty journalist Meera Gaity. The list could go on.

For the complete list of nominations under all categories,log on to screenindia.com/screenawards2012

Click here to follow Screen Digital on YouTube and stay updated with the latest from the world of cinema.

Latest Comment
Post Comment
Read Comments
Advertisement
Advertisement
Advertisement
Advertisement