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‘Shah Rukh Khan refused to work with Mahesh Bhatt, panicked Karan Johar called, said my dad will die’: Viveck Vaswani recalls how SRK rescued Dharma
Mahesh Bhatt was ready to make a film for Dharma for free as long as Shah Rukh Khan would star in it. SRK, however, didn't agree with Bhatt's kind of cinema and had said no till Karan Johar rang up his friend in the middle of the night.
Shah Rukh Khan didn't believe his type of cinema matched with Mahesh Bhatt. (Photo: Express Archive)Karan Johar and Shah Rukh Khan share a rare bond in Bollywood, where Karan has spoken about how the star never asks him for a script or discusses money with him. But before Karan gave a new life to Dharma Productions with Kal Ho Naa Ho, the production house was dealing with a spate of colossal failures and needed a film to resusciate it. Filmmaker Viveck Vaswani recalled how Shah Rukh helped Dharma, paving the way for friendship with Karan and a relationship of deep respect with his father Yash Johar.
Vaswani told Radio Nasha that Yash was going through a difficult time and that the producer really needed a win at the box office. He revealed that Bhatt had come up with a quid pro quo offer for Yash, where he decided to direct a movie for free provided the lead was Shah Rukh. Viveck was a close friend of Shah Rukh at the time and had also produced his Kabhi Haan Kabhi Naa.
Recalling the incident, Vaswani said, “Karan Johar called me in the middle of the night and said that ‘My father will die.’ At this point Gumrah, Duniya, and Muqqadar ka Faisla had all flopped. The biggest blow was that Agneepath also bombed. Now they are telling me that Mahesh Bhatt has agreed that he will do the next film for Dharma Productions free of charge. But Shah Rukh had to be there.” Yash Johar’s Dharma started with the impressive hit Dostana (1980), but Ramesh Talwar’s Duniya (1984), Prakash Mehra’s Muqaddar Ka Faisla (1987), Mahesh Bhatt’s Gumrah (1990) and Mukul S Anand’s Agneepath (1990) had all flopped and the Johars were on the verge of losing everything. The production house gained prominence with Kuch Kuch Hota Hai (1998), which also marked Karan’s directorial debut. Shah Rukh was an up and coming actor at the time, but was still months away from the massive success of Dilwale Dulhania Le Jayenge, which firmly established his as India’s top star.
Vaswani revealed that Shah Rukh did not wish to work with Bhatt sahab, and that some previous attempts to get the actor to do something he did not want to do had proven to be futile and dangerous. “Now I know that Shah Rukh didn’t want to work with Bhatt sahab. There were fights on the phone. There was a man called Vasi Khan, who was Feroz Khan’s associate director. He called me Shah Rukh’s secretary on the phone and said, ‘Tu kaun hai? Shah Rukh se baat nahi karwane wala? (Who are you to keep me from talking to Shah Rukh?)’ Now Shah Rukh accidentally heard this, and he picked up the phone, and he gave him the kind of bad words from Delhi that I had never heard. He told me, ‘If this guy calls again, I will go and beat him up,'” said Vaswani.
The producer continued and said that Shah Rukh tried to explain his position to Mahesh Bhatt and had made up his mind. But upon hearing the unfortunate circumstances that Yash was going through, the actor decided to do the film.
“With great respect for Bhatt sahab, he told him, ‘Your kind of cinema and my kind of cinema don’t match.’ That is why Karan called me, because getting Shah Rukh would mean getting Bhatt Sahab for free. Shah Rukh was shooting at Mehboob Studios, and I went there to ask him. I told him about Yash, and Shah Rukh agreed, but the moment he heard Bhatt sahab’s name, he said no. I told him the situation, and that is how the film Duplicate was born. Bhatt sahab was hardly on the set for the film, and it was Karan and Shah Rukh who made the film,” said Vaswani.
In an earlier interview with Komal Nahta, Karan had described the family’s financial situation at the time, adding that Agneepath’s failure had broken his father. “These were big films with major directors and actors. But when Agneepath flopped, my father was truly heartbroken. He believed it would be the film that elevated him to the level he aspired to.”


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