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This is an archive article published on July 30, 2024

Mujhse Shaadi Karogi is 20: Akshay Kumar-Salman Khan film’s Duggal sahab was based on a real person, Rajpal Yadav was force-fitted in the film

In an exclusive conversation with indianexpress.com, Mujhse Shaadi Karogi writer Rumi Jaffery revealed how the character of Duggal Sahab was inspired by a real-life person.

Mujhse Shaadi KarogiMujhse Shaadi Karogi turns 20. (Photo: Nadiadwala and Grandsons/Instagram)

When Mujhse Shaadi Karogi released on this date 20 years ago, people were quite excited to enter the cinema halls through the beautiful mandaps built at the entrances of several theatres in India and abroad, giving a full wedding-like vibe. Several contests were held as part of the film’s marketing campaign with prizes including a honeymoon trip abroad and wedding ensembles by Neeta Lulla. They even released a 64-page palm-sized book with information about the characters’ love triangle, their photos and also tips about how to woo a woman.

Result? The film opened to a great business and had an excellent theatrical run. So well that it still resonates with the crowd and even Sonakshi Sinha and Anant Ambani couldn’t do without the Mujhse Shaadi Karogi title track at their post-wedding and baraat procession, respectively. It became all the more nostalgic after the ‘Desi girl’ Priyanka Chopra herself danced to the track from her 2004 hit romantic-comedy, also starring Akshay Kumar and Salman Khan at Anant Ambani’s baraat.

The success was a collective effort of David Dhawan who wanted to re-invent himself with a romantic comedy, Sajid Nadiawala’s stubbornness to have the talented Rajpal Yadav in the film, and the creative effort of Rumi Jaffery who wanted to avoid the repetitiveness of his 1997 film Deewana Mastana. A little bit of inspiration from real life characters gave us the iconic Duggal Sahab, and Jaffery has an interesting story to tell.

 

Jaffery gives the credit to filmmaker K Bhagyaraj for the film’s idea, and reveals Duggal sahab (played by Kader Khan) — a meme favourite to the day — was inspired by a real person.

He said, “The character was inspired by filmmaker Rahul Rawail’s father HS Rawail’s best friend, Ridku uncle. He was just 2.5 feet tall and you can find him in every film of HS Rawail such as Mere Mehboob and Mehboob Ki Mehendi. He used to live with HS Rawail like his own brother at his residence. So when I was writing Anjaam, Rahul casually discussed with me a very strange health complication of Ridku uncle. He told me that when he would wake up, he wouldn’t be able to see anything, sometimes he would have hearing impairment. I was shocked, but also found it quite funny. I told him I will use it in one of my films. Rahul said nobody will believe it. I was like why not, he will be a great character in a comedy drama. Several years later, I brought this character to life in Mujhse Shaadi Karogi.”

 

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Jaffery also revealed that Rajpal Yadav was a last-minute addition in the film and it was a task for him to create a role for the actor. The actor was fresh off the success of Jungle (2000) where he played a psychotic bandit for laughs with elan. Producer Sajid Nadiadwala called Rajpal and added him to the cast without speaking to Jaffery. “I am making a comedy drama with Salman Khan and Akshay Kumar, unn dono ke role ke baad third best tumhara hi hoga, Rumi se role sunlo. (Yours will be the third best role in the film, get your briefing from Rumi),” the producer told Rajpal. Rumi said when he received a call from Rajpal, he was nonplussed.

 

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“I called Sajid and asked what role has he given to Rajpal Yadav. Sajid said, ‘I just want him in the movie, now you figure out how.’ I was extremely stressed and I was constantly getting calls from Rajpal. The shooting date was nearing. Rajpal would say, ‘Bhaiya please brief me about my role so that I can understand its needs and start working on them’. To put him off, I told him, ‘okay, see me tomorrow’. After hanging up the phone, I started to think what role to give him. There was a role of a broker and then there was the role of a rowdy, who was the gang leader of the Eagle gang, which was originally written for Vindu Dara Singh”, Rumi told us.

He added, “By evening, I decided to give him a double role — both as the broker and the gang leader. The idea of twin brother occurred to me and it seemed just the right role for him. Soon, I called Sajid Nadiadwala and briefed him the role, he loved it. Finally, I briefed him (Rajpal) the role and he was quite satisfied. It was a very challenging situation. Just because Rajpal was a good actor, the role was created for him at the last minute.”

Mujhse Shaadi Karogi also made pugs the dog breed of choice. Rumi confesses to be obsessed with pugs since the time of Chalte Chalte (2003). Though he couldn’t use the real dog in the previous film, he successfully cast the dog in Mujhse Shaadi Karogi. “Kutta nahi, beta hai mera”, says Colonel sahab (played by the legendary Amrish Puri).

“The dog died mid-shoot”, revealed Rumi Jaffery. “Another interesting fact is that the dog initially used in the film was quite old, so it died during the shoot. But, luckily, all dogs look the same, so we brought a similar looking dog and completed the shoot with that.”

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When we reached out to Rajpal Yadav, whose talent forced the unit to create a role for him, the actor had nothing but gratitude. He said, “It feels like yesterday. Soon after Jungle, I bagged several film offers and one of them was Mujhse Shaadi Karogi. It was my first big commercial film with such an ensemble cast. It was more like a dream to work with Kadar Khan and Amrish Puri. This was my first film with Akshay Kumar and Salman Khan, and it was quite an experience.” While he called the entire filming a fun experience, he fondly recalled the magician sequence. “I was having too much fun balancing my body in the air”, laughed Rajpal as he recalled the shooting experience.

Mujhse Shaadi Karogi, which became the fourth highest-grossing Indian film of 2004, was also appreciated for ahead of time movie set. Although the film was set in Goa, it was mostly shot on two detailed sets created by Sharmishta Roy in Mumbai’s Film City and Mauritius.

Jyothi Jha is an incisive Copy Editor and multi-platform journalist at The Indian Express, where she specializes in high-stakes entertainment reporting and cinematic analysis. With over six years of diverse experience across India’s leading media houses, she brings a rigorous, ethics-first approach to digital storytelling and editorial curation. Experience & Career Jyothi’s career is characterized by its breadth and depth across the media landscape. Before joining the editorial team at The Indian Express, she honed her expertise covering the entertainment beat for premier national broadcasters, including NDTV, Republic Media, and TV9. Her professional journey is not limited to digital text; she has a proven track record as an on-air anchor and has successfully managed production teams within the high-pressure segments of Politics and Daily News. This 360-degree view of newsroom operations allows her to navigate the complexities of modern journalism with veteran precision. Expertise & Focus Areas Guided by the Orwellian principle that "Journalism is printing what someone else does not want you to do," Jyothi focuses on transparent, accountability-driven reporting. Her core areas of expertise include: Cinematic Deconstruction: Analyzing the social subtext of mainstream Bollywood and South Indian cinema (e.g., Kantara, Masaan, Dabangg). Toxic Masculinity & Gender Studies: A vocal critic of regressive tropes in Indian cinema, she often highlights the industry's treatment of women and social progress. Box Office & Industry Economics: Providing data-backed predictions and analysis of film performance and superstar fee structures. Exclusive Multimedia Coverage: Conducting deep-dive interviews and long-form features that bridge the gap between archival history and modern pop culture. Authoritativeness & Trust Jyothi Jha has established herself as a trusted voice by prioritizing substance over PR-driven narratives. Her background in hard news and political production provides her with a unique lens through which she views the entertainment industry—not merely as gossip, but as a reflection of societal values. Readers rely on her for "Journalism of Courage," knowing her critiques are rooted in a deep respect for the craft and a refusal to settle for superficiality. Her ability to pivot between daily news and specialized entertainment analysis makes her a versatile and authoritative pillar of The Indian Express newsroom.   ... Read More

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