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“She should stop playing the victim card,” filmmaker Karan Johar had said just days after Kangana Ranaut revealed how he ignored her initially for being an outsider. On Tuesday evening, as Kangana talked about her 11-year-old journey in the film industry with mediapersons, the actor, as if slyly teasing Johar for his ‘victim card’ comment, reiterated that things indeed don’t come easy to her, and she has “to fight for every single thing in her life and she will achieve what is rightfully hers in the industry.”
While one would expect people to become defensive after being slammed for playing the victim, Kangana Ranaut apparently believes in using the criticism to her advantage and normalise it, something which is becoming a pattern of sorts in the way the actor conducts herself professionally. The applause that she drew from the mediapersons for talking about her struggles was a small proof that she came across as an honest person rather than someone practising self-victimisation.
This is, of course, not the first time that Kangana took on flak with admirable vigour. The glimpse of this behaviour was first seen during the messy Hrithik Roshan episode in 2015. When her former boyfriend Adhyayan Suman said that she used to practise black magic, Kangana, rather than defending herself went on the record saying, “Witchcraft is an ancient art, what’s the harm in knowing about it? Don’t we love Harry Potter?”
The shaming that she was being subjected to post Adhyayan’s admission suddenly changed into praise for the actor for being “unswerving and honest.” Earlier this year, when writer-editor Apurva Asrani alleged that Kangana tried to take his credit for writing Simran, the actor turned the tables in an interview. Kangana said she should be credited for writing the dialogues of the film “as Apurva’s drafts did not match up to her expectations.”
Even on Tuesday evening, after she unveiled the trailer of Simran, Kangana, at length, spoke about how actors’ involvement in dialogue improvisations become essential if the film is character-driven. “There are two kinds of films, story-driven and character-driven. Movies, which are character-driven, require actors to improvise dialogues so that the character looks relatable and there is a flow. Simran is focused on one character so I had told Hansal sir that I would do my own dialogues.”
Watch Kangana Ranaut’s Simran trailer here:
Simran is about a Gujarati girl Praful Patel, who is a kleptomaniac and gambler. The light-hearted drama will arrive in theaters on September 15.
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