With world leaders in a tizzy over the issue of climate change artistes are not to be left far behind
There is an uncluttered serenity in French photographer Yann Arthus-Bertrands collection of aerial photographs titled Earth from above taken in more than 150 countries the gently undulating snow-capped peaks of Kilimanjaro,the eye-shaped coral formation in Maldives,the sun-dappled working fields of Rajasthan. But with the beauty comes a sinister undertow the world is shrinking in front of our eyes. Eighty per cent of Kilimanjaros ice has melted. Ninety per cent of Maldives coral formation has shrunk leaving all but a ring-shaped reef. The fields in Rajasthan are threatened by declining subterranean water reserves. With Earth from above my intention is not to portray this or that country, says Arthus-Bertrand. I simply want to show the earth as it is.
The project aiming at sustainable development was started in 1994. By 2000,the exhibition had toured more than 110 cities. In 2008 Arthus-Bertrand was made a Knight of the Legion dHonneur by Frances President Nicolas Sarkozy and in April 2009 he was officially designated as the United Nations Environment Program Goodwill Ambassador (UNEP). The photographs in Earth from above have been taken from a height of 20-2,000 metres and will be exhibited at the Marine Drive promenade till January 8.
While Arthus-Bertrands photographs highlight the exquisiteness of the universe we live in (Only with love will come the will to protect, feels the photographer),Brazilian photographer and social worker Conceicao Praun grapples with the issue from the other side of the spectrum showing how far the earth has deteriorated. On December 9,she launched a calendar in Mumbai called Face,a black and white environmental documentation of 50 photographs captured in different parts of the world. Whether it is a stark photo of toxic chemicals being dumped into a river or a group of winter-uniformed sanitary workers half-buried in a pile of rubbish,her photographs address one central themewaste management.
When I last came to India,I was overwhelmed by the garbage and the lackadaisical approach to waste management, says Praun who was taught by the master photographer Georges Fevre,a student of Henry Cartier-Bresson. But as soon as she began her quest,Praun realised that Indias garbage problem was only a speck in the larger picture of what was happening in the world.
Both Arthus-Bertrand and Praun,who are attending the Copenhagen Summit on climate change,have literally covered their tracks with Arthus-Bertrand setting up the program Action Carbone to offset his own greenhouse gas emissions generated by his helicopter transports and Praun,using wood-free paper for her calendar and ink made of soya.
For the 14 artists participating in the group show titled Nature Vs Modernity at India Fine Art Gallery (on until December 16),nature,whether a fallen tree in Alok Bals painting,a slain eagles head or a man sitting in a boat riddled by holes in Debraj Goswamis work (We are living in a sinking world, says Goswami),is an abstract entity to be represented through a series of symbolic references. As curator and participating artist Haraprasad Tripathy says,If a painting is predictable,then,for me,it is dead.
Their art is not meant to be preachy. It is only meant to make you look,appreciate and reflect for a moment. As Arthus-Bertrand says,art should be about rethinking the things you take for granted.