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When Rohit Pereira,aka the P-Man,decided to start a forum thread on the now-defunct Gigpad.com,he little suspected the following that he would accumulate.

When Rohit Pereira,aka the P-Man,decided to start a forum thread on the now-defunct Gigpad.com,he little suspected the following that he would accumulate. “To me,it just started as a place where I spewed random rantings. To my surprise,I got quite a lot of followers who seemed interested in my opinions,” he laughs. Eventually,the P-Man thread became so popular that it was picked up by Samira Kanwar,founder of Babblefish Productions for an internet show,called The P-Man Show. After a relatively quiet first season in 2008,it hopes to make a bigger impact this time in its second season.

The show is the first such,online or otherwise,about India’s growing underground music scene. The camera may be a trifle shaky and Pereira might seem a little lost for words sometimes,but there’s no denying its zany appeal. “Its completely crazy. There’s really no script,because then I won’t be able to remember it,so mostly its improvisational. I usually just ask provocative and politically incorrect questions.” Like at an awards ceremony,asking a musician who he thinks does not deserve to be nominated for a certain award. “Mostly,I end up getting some really funny responses and people seem to like that,” he muses.

The focus of the show will continue to remain the underground metal scene,given Pereira’s expertise in the area—he’s been bassist of Pin Drop Violence,one of India’s biggest metal acts —but it will also explore the growing scene in other genres of music like electronica and folk/pop. Along with interviews,concert reviews and behind-the-scenes specials with musicians,each episode will also include segments on some of Pereira’s non-music experiences. “Hopefully,we can include bits about when I attend a political rally or a fashion show or learn to cook pav bhaji. It should make for some funny moments.”

The P-Man Show’s shoestring budget (each episode takes about a week to visualise and execute) has ensured that it’s current homes remain Facebook and YouTube. “But I won’t lie to you and say that we won’t ever consider having it on a regular TV channel because it’ll compromise our integrity. If a good enough offer comes along,we will take it up seriously,” says Kanwar,who also directs the show. However,there’s a lot more that can be done with this concept. “We’ll be able to shoot outside Mumbai,which we haven’t been able to do so far. And if you’re talking about the independent music scene,then you really have to include the whole country and not just restrict yourself to one city.”

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