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This is an archive article published on November 5, 2009

On a rainy day

Though the environment of Tum Mile sets in Bhandup was a controlled one,it was as bad...

Soha Ali Khan hates the rains and thinks Kunal Deshmukh is sadistic to make a movie like Tum Mile

Like your character in Tum Mile,you also suffered an ordeal during the July 26 cloudburst in Mumbai. How much of that did you incorporate into your role?
Though the environment of Tum Mile sets in Bhandup was a controlled one,it was as bad. Kunal Deshmukh,the director,is a sadist to have created a set like this. The water was high enough to be able to submerge cars and rickshaws. There were no rafts so,every day,my driver would carry me on his shoulder and deposit me on the spot where we were to shoot. Since there was little difference between my real-life experience and what we were to project on-screen,all I had to do was react. The emotions flowed easily after that.

But Sanjana finds love in such hostile circumstances. Would you have been as vulnerable?
We’ve heard of people who found love during the floods. Maybe it was because every emotion gets magnified in challenging circumstances. But I doubt I’d have felt anything but the desire to get back home as soon as possible. My mind was preoccupied in trying to get myself out of the situation. Personally,I hate the monsoon—the weather is humid and everything around you is mucky and dirty. To me,sunshine is romantic.

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The flood happened in 2005. Doesn’t Tum Mile come a tad late?
Tum Mile is chiefly a romantic movie so I hope people connect with the emotions. Also,I feel that this subject isn’t time-bound since we continue to be vulnerable to similar calamity because we continue to be ill-equipped to deal with it. I know that Kunal wanted to make this movie before Jannat but could not convince anyone to do it.

Also,at that point I guess no one was willing to put in the money Tum Mile required for production. It worked better since Kunal proved himself with Jannat before making this movie.

Were you apprehensive of your co-star Emraan Hashmi’s image?
I asked my director before signing the film if I’ll be expected to kiss on-screen and was told it wasn’t in the script. But during the shoot he told me there was a small,sweet kiss we’d have to do. Then,the one kiss became two.

You finally share screen-space with your mother Sharmila Tagore in Life Goes On.
We had received ample offers in the past to act together but most were intended to cash in on our relationship. We decided to do this film because it really required us to project the sentiments involved in a mother-daughter relationship since the film is about the sense of loss a family feels upon the mother’s death. It was scary to work with her because she knows me so well and the slightest expression of insincerity on my face would give me away.

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Is Life Goes On an attempt to emerge from the shadow of your mother by featuring alongside her?
Not at all. In fact,I wouldn’t want to emerge from her or my family’s shadow at all. They are all achievers and why should I deny my roots—it gives me enough security and pride.

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