Top Drawer

‘Architecture’ and ‘couture’ are terms often used when you

are discussed.

I like form,and explore the silhouette in different ways. Yes,my work comes across as inspired by architecture,and it is to a large extent. The techniques employed by my studio revive the age-old couture techniques of fluting,pleating and draping and I try to reinvent them. I guess that gives my work the feel of couture.

After your first fashion show at India Fashion Week (2009) the top fashion magazines heralded you as the next best thing. You were also invited to showcase at the Arken Museum of Modern Art,Copenhagen. Were you prepared for that?

I’ve never designed for the sake of recognition or fame. I’ve always loved doing what I do and I am happy that recognition has been a very supportive by-product of my work. It makes me happy.

You’ve worked with designer Tarun Tahiliani. Point out three things you’ve learned from him.

The understanding of fabric and the client,and humility.

This is your first stint at Lakme Fashion Week. What can

we expect?

I am showing a couture collection like I have been showing at Paris for over four years. I’ve translated the same philosophy into occasion-wear for India. It’s the first time I am putting out my Indian festive collection on a runway. It’s unusual,new and beautiful.

Among the bridal couturiers,from your hometown Delhi,there are a few who are staying true to the art they learned as students. How do you bridge the art-commerce divide?

The goal of my work has always been my pursuit of beauty. Beauty is superior to art and commerce. Something that’s beautiful appeals to many more and transcends borders. I also try and question the purpose and the reason for making something. I know who is going to wear it. It makes up for the commerce aspect.

Who are your fashion gurus?

I stick by the designers that emerged in the ’80s,like Azzedine Alaia. I think their love for their craft made them the visionaries we know them as.

Do you like dressing celebrities on the red carpet?