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This is an archive article published on October 17, 2011

Building Blocks on Canvas

The tall,lanky artist M Pravat has no difficulty maneuvering larger canvases.

M Pravat’s solo exhibition,Blue Print,reflects on the edifice as a metaphor for life

The tall,lanky artist M Pravat has no difficulty maneuvering larger canvases. His latest creation is a 13×5 foot canvas that is layered like an architect’s blueprint. The surface is covered in a busy traffic of grids and ground plans that over-layer structural drawings of buildings. Pravat borrows freely from his repository of city images using jalis and chajjas from the historical monuments that dot the Capital. In a sense,his canvas is really a layering of histories where one building gives way to another over time and the city’s skyline is constantly changing,with the disappearance of older buildings that give way to newer ones.

His upcoming solo at Peter Nagy’s Nature Morte in Niti Baug is also titled Blue Print and we can see why. “It is very tempting to read a sociopolitical commentary into my work. While I’m not averse to that reading,it is not my sole intention to make a statement about the social impact of buildings. It is more of a personal journey,a kind of internal monologue,” says the 38-year-old artist. “These buildings represent the theatricality and staging of our everyday lives,” he says. The concept of staging in Pravat’s work is the embracing of the idea that we all live in a continual state of process.

Born in Kolkata,Pravat moved to Baroda to study painting. He has been living and working in Delhi since 2006. “I began this body of work in 2010,during a residency in Switzerland,sponsored by Pro Helvetia. I began with small drawings on paper and then moved to a larger scale once I returned to Delhi,” says Pravat,who has had shows at Bose Pacia in New York,and an exhibition in 2008 at Nature Morte,which was the turning point for him.

“Before that,I used to work as a photorealist,painting the interiors of middle class and upper class homes,” says Pravat,of his earlier canvases. In those works,the human presence was always implied and never literal,where the interiors stood in as metaphors for the kind of people that inhabited those homes. “In Blue Print ,I have moved to a more abstract level of flat lines and colours,” he concludes.

The show will continue till November 5. Contact: 41740215

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