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Delhi-based actor Adil Hussain suddenly finds himself in the big league post the success of Italian filmmaker Italo Spinellis film Gangor
After having a blink-and-you-miss it performance earlier this year in Abhishek Chaubeys Ishqiya,Delhi-based actor Adil Hussain,37,is finding his groove doing offbeat independent cinema. Hussain has been cast in the lead role in Italian director Italo Spinellis Gangor,a cinematic adaptation of Bengali novelist Mahashweta Devis short story. Bollywoods loss has clearly been Spinellis gain as Hussain received standing applause at the world premiere of the English language film in Rome last month and even during the red carpet of the Festival. I was humbled by the response. I do consider myself fortunate to have worked in this film. The subject and the character graph both were too stimulating to ignore, says Hussain,as we chat in his home in Greater Kailash,Part-I.
The film is a political thriller set in the rural hinterlands of Purulia,West Bengal,against the backdrop of the atrocities inflicted on the tribal women in the region. Hussain portrays an urban and well-experienced photojournalist who is sent to Purulia to document the action. In his search for a golden shot,he finds a hauntingly beautiful tribal woman called Gangor (played by Priyanka Bose) breast feeding her newborn.
After paying her to photograph her breastfeeding,the harmless act spirals into a nightmare for the woman when the photo is published. The girl is ostracized by her village and subjected to all kinds of torture,especially sexual. The movie deals with the utter and brutal insensitivity of the modern world to our tribals, says Hussain,who spent a month in Purulia for the shoot. My character develops a fondness for the tribal woman and returns to the village to protect her from the humiliation.
The movie is similar to the novel with the exception of one additional character,Medha,(played by Tilottama Shome of Monsoon Wedding fame) who essays the role of a social worker. She serves as the cinematic counterpoint sympathising with Gangor through her ordeal, says Spinelli,over phone from Rome,who has made 10 documentaries on India canvassing political issues like the Babri Masjid demolition and even one on social activist Medha Patkar.
A visiting faculty at National School of Drama for 10 years,his alma mater,Hussain came to Delhi from Golapur,Assam,in 1990 to pursue acting and enrolled as a student there. Naseeruddin Shah and Barry John were my gurus at the School and we had many acting exercises that sharpened my skills, he recalls. For Spinellis film he had only two weeks to prepare for his role. Flipping through pages of Mahashweta Devis novel in between takes,he was able to empathise with the character faster. Besides,his 17-years of experience in theatre proved beneficial. When you do not have much time to prepare for your character,you rely on whatever clues you find. The book helped a great deal,plus I listened to Spinellis instructions verbatim, he says.
But films were never something he hungered for,and remained content with ad-hoc film assignments. I was never lured by the glamour of tinsel town. Even today I am quite content with theatre, he remarks. Hussain has been touring the world with members of the Indian Shakespeare Company,as part of the play Othello: A play in Black and White,for over a decade now.
The play was awarded at the Edinburgh Fringe First Festival in 2000. Meanwhile,Hussain is wrapping up the shoot for a villains character in Sriram Raghavans Agent Vinod . I recently returned from Latvia after a two-month shoot, he quips.
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